Henry was one of the founder members of this band and was playing rebel music in Northern Ireland in the late 70’s.

With songs such as “Alternative Ulster” and “Suspect Device”, they were definitely sending out a strong message from the heart at that time. Johnny Rotten thought he was punk, but can you imagine playing punk music while bombs were going off down the road from you?

Anyway, Henry survived and is now playing solo and is writing his first album without Stiff Little Fingers.

So before Henry sets out on the road again, I persuaded him to answer a few questions that have been bugging me for a number of years.

Henry Cluney interview with Dave Tommo

Dave Tommo: How did you and the rest of the band meet?

Henry Cluney: Three of us went to the same school – Ali was a friend of a friend.

How much more subversive do you think it was playing punk music in Ireland as opposed England at the time?

Northern Ireland was a bit different – singing about what we did was seen as a bit ummmm…out there.

Who would you say is your biggest influence on the guitar?

Marc Bolan / Mick Ronson / Johnny Ramone.

I remember you wearing a really smart leopard skin jacket years ago. Have you still got it (and do you want it!!)?

Aaaaaagh–no!!!! Dunno where that thing is.

How did you feel about relocating to London when the band signed to Chrysalis?

I never did. Always lived in Belfast. Not really a problem as it was only an hour flight.

What was the best thing about being in SLF?

Playing and going places. Hate hearing people in bands complain about travelling – just think how lucky you are.

Can you tell us the story behind you leaving the band?

Didn’t leave. Was told to leave by the manager…

It is really great seeing you up there playing your songs solo Henry. What was it that made you decide to go for it again (excuse the cheese)?

Thanks. Agent put the idea in my head and after a bigggg lot of thinking I thought – go for it!

Are you planning to record any new material for your forthcoming tour?

Just finishing an album now – hope it works.

Have you seen the new SLF book and what are your views on it?

Not seen it yet–sounds good tho. Covers the REAL SLF.

Finally, are you able to tell us where you are playing on your next tour?

No dates yet. I’ll put them on my website.

Buy Music:

Stiff Little Fingers on amazon.co.uk

Stiff Little Fingers on amazon.com

Henry Cluney Official Website

The album features hit single “Get U Home”, also featured in the movie Sorority Row starring Audrina Patridge and Rumer Willis.

Many fans in the US will already be familiar with Cisco Adler from his recent stint on MTV reality show “Buzzin’” – about the misadventures of Shwayze and Cisco, with cameras following the unlikely pair – Shwayze, the self-described “only black kid in Malibu” and singer/producer and sometimes tabloid “bad boy” Cisco, on their path to stardom.

Although known for his partying ways and celebrity girlfriends, Cisco is also a hardworker and talented musician, and it shows in his music. I’ve been listening to their single, “Get U Home” – it’s a great track, worthy of being cranked up to the max!

Exclusive interview with Cisco Adler:

Jenny May: What kind of things would have to be happening at a party that would make you drop everything to be there?

Cisco Adler: The Rolling Stones playing live and a slew of naked models…other than that, a party is just a party.

When recording, do you always mix your own tracks or do you work with an engineer? Which do you prefer and why?

I work the board when we record. As far as mixing goes, it depends what the song calls for. On this record I mixed half and my buddy Dave Pensado mixed the rest…the song determines all of this. I like mixing but for some tunes I want to have someone with a different ear and background mixing.

What was the last movie that you watched?

Lars and the Real Girl.

Did you like it?

It was Amazing!

If given the opportunity to write a movie script, what would be your ideal genre?

Comedy…and best believe I have a few already written.

Where is one of your favorite places to go to just chill out?

I’m not so good at that. I hate being away from my studio. So I guess I’d say my studio…

Who would be a dream guest to feature on one of your tracks (still alive, that you haven’t had yet)?

Anthony Kiedis, Andre 3000, Rivers Cuomo.

If you have friends over with mixed musical tastes, what would be the first album that you would grab to play for your guests (other than yours)?

F*** em…they are at my house and I’m the DJ. I’d play what I want and hopefully they can dig. Bob Dylan is always good with whatever ur drinkin’…

What is your daily routine when on tour – from morning to night?

Wake up, take a shot, get on stage, take a few more shots, go to sleep…

Watch Behind the scenes video of the ‘Let It Beat’ photo shoot:

Can you break down the writing and production process of “Get U Home”?

Well I wanted to do an uptempo tune with a big pop rock chorus. It started with a sample, but after I threw on all the guitar and drums and synths I took out the sample and liked it better. I spent a few days perfecting the chorus lyric melody and after that Shwayze came in and we hammered out the verses. It’s one of those catchy melodies that sticks in ur brain. It’s sort of an anti-pop song and it’s dirty and clever but still has a huge melody and a pop progression.

Who wrote the lyrics, music, mixed, musicians involved etc.

I wrote the music and the chorus lyrics and made the track. It took a few days to get the chorus vocals right. It’s a catchy pop melody and sometimes those are the hardest to get perfect, but when u do they are magical. I dropped a couple guitar tracks and then had a friend of mine named Beardo (check out his music!) come in and do some more to really fill the chorus up. Then Shwayze and I wrote the verse lyrics together and he got in the booth and layed em down.

Was there anyone in particular that inspired the story behind “Get U Home”?

A gentleman never tells…But it’s a play on words. It’s not that I can’t wait til we get home. It’s actually I cannot wait and we need to go into the bathroom and make love now!

Buy Music:

Shwayze on amazon.com

For the latest music, news and information, go to:

Shwayze Official Website
Shwayze on Twitter
Cisco Adler MySpace
Cisco Adler on Twitter

Chicago band Inchworm’s latest release ‘Sheep in Wolf’s Clothing’ has been in my iTunes player for a while now, and the tracks continue to shine with each listen.

Inchworm is a band that I feel quite passionately about, as I really like their music, with endearing vocals, top notch songs, quality musicianship – and they seem like a cool group of people!

Someday I’d like to see them play live, but in the meantime, it was a treat to have the opportunity to interview them.

Inchworm interview with Jenny May

Jenny May: It looks like congratulations are in order regarding your song “Waltz Through the Ashes”. Will it be appearing in a film? How did this occur?

Matthew: Thanks, yes it is. The film is called We Believe: Chicago and its Cubs. It is directed by John Scheinfeld who made the documentary “The U.S. vs. John Lennon”. It’s the first documentary to be sanctioned by the Chicago Cubs so we’re hoping it turns out being a big deal. The way it happened is Dan, our bassist, saw an ad on Craigslist looking for songs to be in a contest to be part of the movie. Being a lifelong Cubs fan I said “what the hell” and it turned out that of over 300 entries, ours being the only original songs, fans and web visitors voted both our submitted tracks into the top 5! The director then chose “Waltz…” as his pick for the film. Pretty cool indeed.

You’ve signed up to Twitter. What are your thoughts on the social network? Have you been networking?

Mike: Ah, networking… ya gotta keep up with the kids, right?

Brian: Honestly sometimes it’s annoying as hell. I have a “smart” phone and decided to install the Twitter app. I uninstalled it four days later because of all the pointless “news” that was sent to me. People LOVE talking about themselves. Maybe it’s just the ones Inchworm follows…

Dan: As annoying as it is though, we know it’s a necessary evil. With the amount of time people spend online nowadays and all the information that is forced into their heads, it’s important to keep your name in front of their faces, otherwise they’re gonna forget you exist.

It’s no secret that I’m a big fan of yours. Any plans on coming to England to play?

Mike: Thanks again Jenny, we do appreciate it. We’d love to come across the pond and play. However, with the economy the way it is, it’s looking pretty grim. If we do manage to make the trek, you should hook us with an opening spot for the Guillemots.

Do you have any plans on touring the US?

Brian: Kid Rock once wrote a song called “Devil Without A Cause”. One of the lyrics in that song is “I’m goin’ platinum”. This was long before he sold a single record for the major label he was signed to. Inchworm, Inc. has decided to adopt this business model and write some new songs: “Platinum Sunshine”, “Platinum Stuck In My Teeth”, “Platinum Umbrella”, etc. If “Field of Dreams” taught us anything, it was “If you build it, they will come”. We write about platinum, the platinum will come. U.S. touring will ensue. In the meantime we’re gonna keep playing local and regional shows, continue to build our fan base, and branch out from there.

If you could go on tour with any bands/artists, who would it be?

(Heads come together, whispering): Dr. Dog, Wilco, The Shins, Grizzly Bear, Neil Young, the F***ing Stones, Guillemots. Basically any of our influences we’d love to play with.

Are you signed to a record label? Do you have a manager? Would you like a change in your current situation or are you happy with the way things have been going?

Mike: We’re totally independent, but we’d welcome change. Change is good. Anybody who is willing to help us gain exposure and financial independence is somebody who we’d be interested in meeting with and talking to. So if you know anyone who fits that description, give ‘em our number.

How long has the band been together and how did you meet?

Dan: We’ve been together for some time now. We all met through Twitter! J/K. Brian and Matthew have been playing in bands and writing music together since high school and a few years ago through a mutual friend, met Mike as he was between bands. A couple years ago, a buddy of mine was playing a Halloween show with Inchworm as Bob Seger and the Silver Bullet Band and said they needed a bassist. I showed up and we had a jam, had multiple laughs, a helluva lot of beer, and we all became buds. I joined the band directly after.

How did you come up with the name Inchworm?

Matthew: It’s a long story full of ghosts and hammers, lovers and saloons. Head to the media page for the whole story. It won’t disappoint.

Mike: And if you don’t believe that, it’s also the name of a John Coltrane song.

What is one of the best live shows that you’ve attended?

Brian: Radiohead at Rosemont Theater (2500 capacity) in 1997.

Mike: Recently, Dr. Dog at the Double Door.

Matthew: Neil Young alone and acoustic in 1999 at Rosemont Theater.

What is one of your favorite things to do when not playing music?

Writing music. Enjoying life. Playing video games. Crossword puzzles. Reading. Getting the occasional beer at the bowling alley. Go see our friends play music.

How often does the band practice?

Twice a week for the most part.

What is your song-writing process as a band?

Mike: Matthew and Brian bring in some bones, then the band puts on the meat.

Brian: Nobody likes skinny cows.

Dan: I want to barbecue.

Why the title ‘Sheep in Wolf’s Clothing’ for your latest release?

Matthew: We’d been brainstorming for a few months trying to come up with something that was relevant to our situation. Mike, an amateur semanticist and etymologist, was playing with words and twisted the cliché “wolf in sheep’s clothing” late one night. The more we all said it the more we liked it. It kind of summed up how we felt about ourselves and how we imagine most people thought of themselves. Most people are genuinely good humans finding their niche in a hard world. I mean, nobody wants to be the wolf, but we all know you gotta grow teeth if you want to eat.

How have you been recording music (studio, home etc.)?

Dan: We write and record as much as we can. We recorded “Sheep In Wolf’s Clothing” entirely on our own at a couple different locations, one being Mike and Matt’s home studio: The Holtz ‘en Baugher Ranch. We do a lot of work there with demoing new material and piecing together arrangements and ideas over time. It’s good to have a home base we can play with sounds in.

Brian: Recently we started working again with the engineer who recorded our previous release “Porchlight EP”. Matt Dewine is his name and he runs Pieholden Studios in southern Illinois. The studio is owned by the late Jay Bennett (r.i.p.), and runs strictly analog. We’ve been having a lot of fun with the great selection of vintage gear and odd instruments they have down there, and we’re underway on what we hope will be a new album released late this year. We’ll definitely keep you posted!

All: Thanks a lot Jenny for setting this up and for the support you give us. It means a lot to us. Take care and we’ll talk again soon!

Band Members:
Matthew Baugher ~ Vocals, Guitars, Keys
Brian Morrissey ~ Vocals, Guitars, Keys
Dan Ingenthron ~ Bass, Bkgd Vox, Keys
Mike Holtz ~ Drums/Percussion, Bkgd Vox

More from Inchworm:

- We’re giving away a free download of “Waltz Through the Ashes” in appreciation of the support we got from the fans for a limited time. www.inchwormmusic.com/waltz

- Next show: June 22, 2009 @ Schubas Tavern (3159 N. Southport., Chicago, IL) @ 8pm w/ King Sparrow, The Main Drag

- “We Believe” film premiere: June 12th @ The Chicago Theater (thechicagotheater.com)

Inchworm Official Website
MySpace
Inchworm on Twitter

Larry Reddington isn’t a new kid on the block. Not by any means. At age of 67 (68 in July) he’s been spicing up people’s lives musically since the 1950’s. From Oxford, England and originally a drummer, Larry has some pretty interesting rock n roll stories to tell, and often does if you visit him in his guitar shop (The Music Box).

When I asked him who influenced him to start playing he said, “No one really. Basically I couldn’t write songs on the drums so I decided to learn the guitar and I suppose working in a guitar shop is a good place to practice.”

Download track: “When You Gonna Learn” MP3

Last year Mr. Reddington travelled to America and went to Nashville. He was taken by the place. That country bug had bit him hard, and not too long after, he returned once more to the home of everything country. This time he recorded a CD – ‘When You Gonna Learn?’ – to take with him. While there, he visited the Elvis house in Memphis – which he was not impressed by. He only wanted to see the toilet that killed the king. But it wasn’t on the tour.

While in Nashville Larry got to play a couple of gigs. He played one night at The Full Moon Saloon and the second at The Nashville Palace. He also flogged a few CDs too. So not a bad outing after all.

‘When You Gonna Learn?’ is a 3 track EP and starts off with the title song, which when you think about it, Larry only started to dabble with guitar and vocals 5 years ago, and he sounds as good as any cowboy from Texas with or without a horse. Larry doesn’t need a stallion when he has the Cowley Flyer bus to take him home in an evening, but I digress. “When You Gonna Learn” has some brilliant lap steel guitar courtesy of Simon Tuke, who also plays bass on the EP. Coming out of retirement for Larry, is one Dave Herbert who performs lead guitar duties on the first track. Why would you retire when you can get the guitar to sound like that? And following up the rear on banjo and dobro is an ex band mate of mine Mr. Stefan D Hamilton.

Larry says he will be recording more tracks soon to turn the EP into an LP. But before that he is drumming with a reformation of a band called Steam who were originally around in the 1970’s. They will be playing at The Regal on Cowley Road, Oxford, Saturday 30th May 2009. Now that is well worth checking out. Go see Larry Reddington and his friends and tell them Dave Tommo sent you!

This is a CD that should be in the collection of any avid country fan.

By: Dave Tommo

The Charlatans and Just Jack are set to mentor the finalists of Road to V – the UK’s biggest and longest running search for unsigned musical talent.

Watch “Weirdo” video:

With a history of V Festival performances to their name, now on their tenth studio album and famous for a string of hits including indie classics such as “The Only One I Know” and “Weirdo”, The Charlatans will be mentoring the ten finalists of the competition, before two winners are eventually decided by a public vote.

The recruitment of Just Jack and The Charlatans as mentors marks a first for Virgin Media, which has refreshed the format of Road to V for 2009, offering entrants the chance to be nurtured by established musicians for the very first time.

The two winning acts will open up the mighty V Festival, which takes place this summer, in Chelmsford and Stafford on 22nd to 23rd August 2009.

The Charlatans EXCLUSIVE interview with Jenny May:

Jenny May: What are you planning to do as mentor for the finalists of the Road to V unsigned band competition?

Martin: We’re looking forward to basically hanging out and playing with them. It was important to us to find someone who is good enough to open V Festival now – not in 3 or 4 months time.

Jon: For me, when it comes to talking to a band who’s just starting out, it’s really important we tell the truth. We’re not out to give advice necessarily because usually people do the opposite – just tell the truth. It’s a big deal, advice – and the last thing we want to do is be condescending.

So far, which V Festival has been the best one that you’ve played at and why?

Jon: 2008 V Festival was great last year because we headlined. We really like being able to play outdoors. Everyone there was just really nice. Good and decent.

Tony: Yeah, V was great. I also have a special place in my heart for the first Isle of Wight. We had a great spot at Glastonbury one year at dusk.

What tracks/artists have you been listening to lately?

Tim: Wow. Ummm, I’m really liking La Roux right now. They’re sort of an electro outfit. Really great.

How have things changed for bands since The Charlatans started out, compared to bands starting out now?

Tony: It’s a lot easier and a lot harder. Easier because you can sound really great for really cheap, but at the same time there are so many more people all trying to do the same.

Mark: You can do so many amazing things with a laptop. Producing a really quality tune for cheap is really easy now versus when we were starting out, but it still boils down to creativity and professionalism.

What is your songwriting process as a band?

Tim: It really depends on who’s most passionate. We don’t all five of us sit down in the same room and write songs together. Usually it’s a singular idea brought in and…

Mark: Expounded on.

Tim: Yeah.

Who has inspired you the most musically?

Tim: New Order. A band called The Prisoners.

Jon: The Stone Roses. They did sort of a similar thing with mentoring us as we’re doing for bands in Road to V. They really took us under their wing when we went on tour in the beginning of the band.

The Charlatans on amazon.co.uk

The Charlatans UK on amazon.com

For more music, dates and information, go to:

Road To V

Virgin Media

The Charlatans Official Website
The Charlatans on Twitter
MySpace

Ben Walker, best known around the internet for his “The Twitter Song” is getting ready for the innovative Ben’s Big Gig event, taking place in Oxford, England on May 1, 2009.

I first ‘met’ Ben on social networking site Twitter, and after reading a few of his ‘tweets’ and learning about Ben’s Big Gig, I was curious to find out more about the humorous singer/songwriter based in Oxford.

Watch The Twitter Song – “You’re No One If You’re Not On Twitter” video:

Ben Walker exclusive interview with Jenny May:

Jenny May: How and when did you discover Twitter?

Ben Walker: I first tweeted at 6:07 PM Apr 18th, 2007 and apparently I was “up too late”. It took a while to get into, to find the good people. I got a real boost when I met a whole room full of interesting Twitter people at the Tuttle Club in London in early 2008. They still meet every
Friday morning at the ICA, and I go along whenever I can.

Which social network are you currently using the most and why are you using that particular one the most?

Twitter, for sure. Because that’s where all my people are. I talk to people I know on Twitter every day (and plenty I don’t). For video updates, I’m really into 12seconds.tv. I guess there’s something about having to create something short and succinct that appeals to me.

Are there people that you’ve met in person after first meeting on Twitter? If so, can you give one or two examples of how that happened?

Absolutely. When I first went to Tuttle I met a guy called Steve Lawson (@solobasssteve), who is a bass legend and social media enthusiast. He introduced me to dozens of people on Twitter (musicians, techies or both) whom I later met at events like Amplified09 and Twestival. For me Twitter is about finding and engaging with like-minded people, so they are often the people you are likely to meet in real life too.

What is the best pop song written in the last 20 years?

Complicated (Avril Lavigne). Pure cheesy pop. I’ve been studying pop songwriting for a while, and that’s the song I go back to every time for the perfect combination of formula, hooks, production, beat, lyrics and attitude. It’s certainly not the best song, but it’s the best pop song.

What has the response been like to your song “You’re No One If You’re Not On Twitter” aka The Twitter Song?

It’s been huge. I still get a couple of comments and 10-20 new followers/subscribers on Twitter and YouTube every day who find me through that song. It was written as a bit of a joke, to amuse the people I knew on Twitter, but at the same time it was a bit of a cheeky experiment. I tried to write the ultimate Twitter song: open with a hook, have a funny video, make some in-jokes. Now it’s had 300,000 views and I have a lot of nerdy fans.

How would you describe your music?

English, quirky, satirical pop. I try to make all my songs entertaining. They are not always funny, but there’s always an undercurrent of humour.

You grew up in Oxford. Have you played/collaborated with many bands/musicians here?

Yes and no. I’ve been around the Oxford music scene for ten years now, but always on the edges. I’ve guested on keyboards with A Silent Film. Once. I had a year-long residency at the QI Club, playing with my band every Sunday night, and we jammed with loads of local musos there.

Where is the first place in Oxford that you would want to take someone new in town to?

The Firry Mic. I just discovered the Tuesday night open mic at the Fir Tree (Iffley Road), and it’s brilliant. It’s just a room packed with positive people, and the friendly atmosphere gives the songs a real boost.

Why did you choose Summertown in Oxford as the location for Ben’s Big Gig?

I chose Summertown for a few reasons. First, I wanted to see if it was possible to put on a Big Gig in a theatre as an independent musician, and the North Wall is the perfect venue. Everyone’s downsizing and playing house concerts these days. I love a house concert, but I wondered whether we couldn’t try upsizing too. Second, Summertown is my spiritual home. All of my songs have a North Oxford vibe (posh, green, jaunty). Third, I needed a venue that could handle my social media requirements. I needed wireless, a projector screen and cabaret tables. Again, the North Wall is perfect for that. And they love to be involved in interesting, experimental and fringe projects.

How have you been planning Ben’s Big Gig; what is on the agenda for the day?

I’ve been Twittering, crowdsourcing, blogging and videoing my heart out for the last couple of months, and it’s all starting to come together. The most exciting thing for me is that I have a couple of really talented performers to share the stage with. George Chopping has been touring with John Hegley, and is one of the funniest people I’ve ever seen. He’s compèring the evening. And Tom Greeves is opening the second half with a set of genius stand-up comedy. It’s going to be a real variety show. And along with all that, we will be broadcasting the whole show live on the internet and feeding the responses from Twitter, 12seconds, Flickr etc. back into the venue on the giant screen, so the internet audience will be able to interact with the live audience.

Who would you want to spend the day with – someone that you haven’t met in person – and what would you do?

Ben Folds. I would get a piano lesson from him. And drink tea and chat in the breaks. I’m a legendary pianist, but I envy the control he has on the keyboard. In the nineties I learned every Ben Folds Five song note for note. I recommend it for anyone who wants to play pop piano.

Do you have any musical influences? If so, who?

Ben Folds. The Band. David Bowie. Ray Davies. Julian Cope. Little Feat. Queen. Avril Lavigne.

How do you prefer to record music? What equipment are you using?

When I’m taking it seriously, I use Pro Tools on my MacBook and an MBox. I rarely need more than two channels, because I’m always recording alone. If I’m recording with the band, I borrow stuff. But these days more and more I’m recording on my phone (the Nokia N95 has great video) or the camera and internal mic on my laptop and uploading it straight to YouTube. My music isn’t “sit down with headphones and a candle and appreciate the production” music. It’s “check out this link on tinny headphones at work” music. It’s not that I don’t love well-produced music. It’s just not what I’m doing. I need a quicker turnaround.

How often do you write songs?

When I’m writing, I write every day. And I’ll usually write, rewrite and record a song in four or five hours over two or three days. Last summer I wrote 50 songs in 90 days as part of an online challenge. Half of them were great. The other half are crap but amusing. I’m not writing much at the moment, but once the Big Gig is over I’ll get back on the horse.

Do you really hate mornings?

No. I love mornings. I get up at 6am most days to work on music stuff. But not when I registered the domain five years ago. I’ll keep using it, though. It’s fun, and it’s a name to which a lot of musicians can relate.

How would you like to see the future of music?

I like the way it’s going. I want to see musicians weaned off the old record company model and rediscovering the real connections that can be made with music. In my ideal future, musicians would concentrate on making better music and connecting with people. At the moment they tend to do one or the other. I have much more to say on this, but I’ll save it for my blog.

For more information about Ben’s Big Gig, which takes place on May 1, 2009 in Summertown, Oxford, go to:

Ben’s Big Gig Official Website

ihatemornings (Ben Walker) on Twitter

Ben Walker’s blog on ihatemornings.com + music and more

Ben Walker press on Band Weblogs

Last Sunday night I went to see InLight at The Bullingdon Arms in Oxford. After watching two members of the band play an “acoustic” set last month at The Jericho Tavern when they supported Baskery, I was looking forward to seeing them as a full band.

It’s quite interesting hearing the stripped down version of a band first – with limited instrumentation. With InLight, when I saw them the first time, I was able to get a clear feel for their songs, and how the songs have the ability to hold their own without the need for ‘more’. Then, to go and see them as a full unit, songs colored in with drums and bass and more energy exuding from the stage, was even more of an uplifting experience. An enthralling performance.

Guitarist Mike Riddle is certainly one to watch – an unlikely guitar hero who from the start may seem like your normal “boy next door” is far from that, with his guitar technique and entertaining stage presence. With Riddle’s melodic guitar riffs in amongst frontman Charlie Cooke’s endearing vocals, exceptional piano skills and songwriting, makes for a clever combination for a pop band.

The rhythm section, bass player Johnny Hunter and drummer Pete Lawless, is just as important especially on their brilliant song “Bridges”, with Charlie’s pleading voice and emotional lyrics. “Space” and “Icarus” are great songs as well, that show just how good a band InLight is.

From what I gather, InLight is a band made up of nice people. I know that for some, nice isn’t the coolest thing to be called, but nowadays in my book anyway, it is. A band with so much talent and what seems, so little ego…is refreshing.

Charlie was cool enough to answer a few questions.

Jenny May: Have you lived in Oxford your whole life?

Charlie Cooke: Nope! I’m actually from Cambridge, which means that I’m now an exile in both places and have to hide quietly under the stairs and in neutral colours on boat race day. But I’ve been in Oxford for four and a half years. I came to University here and didn’t have particular plans afterwards but, when I heard Mike play guitar, I was determined to stay. I think when we first played ‘Paranoia’ was the moment I knew that this was going to get serious. We all looked at each other and thought ‘ok!’.

Where is one of your favorite spots in Oxford?

I love to walk around the back of Queen’s and New College. It looks the same as it must have five hundred years ago and hardly anybody knows it is there.

Does the band have plans to tour around England? Any festivals this summer?

Watch this space!

“The Butterfly Tattoo” trailer:

How did it come about that you would have your song “Bridges” featured in the Philip Pullman ‘The Butterfly Tattoo’ film?

I saw a MySpace advertisment saying that the movie was being filmed in Oxford and that they were looking for bands and for music. So I e-mailed the director and sent him ‘Bridges’, saying that I thought it would be perfect for the film. He agreed and said it was exactly what he was looking for and the rest is history! It is now in the trailer and the film’s climax, which is fantastic. When we went to the premiere at BAFTA I felt like I’d written it for the film, but it was actually written looking out at the Brooklyn Bridge in the cafe on Ellis Island in New York City.

Has your music been featured in other films/TV etc.?

Not yet, but if anyone’s listening we’re interested! I think our music does have a film-like quality, it often sounds ‘widescreen’.

What is the writing process for the band? Do you write together?

I tend to sit down on my own and write out what I would call the ’song’; the lyrics, melody, chords and basic structure. I leave it a few days and see if I can remember it, and if it’s strong enough to work stripped down. For me, that’s the test: if someone can’t sit at home and play the song with just an acoustic guitar and vocals then it’s not good enough. If you look at a band like The Beatles, there’s not a single song of theirs that you couldn’t gather people around a piano and sing recognisably. Once that’s done, I will then bring it to the band and we’ll work out how to arrange it. And that’s when it becomes an InLight song.

What kind of guitars are you and Mike playing at the moment?

Mike’s main guitars at the moment are a rare Gibson semi-acoustic (a CS336) and his recently acquired Strat. He’s also got an imported paisley Fender Telecaster, but there isn’t usually room on stage for that many guitars.. I’m playing Mike’s old acoustic and have done since day one. I’m also using a big red Epiphone 335 to play Icarus live.

Does Mike have his eye on a particular guitar that he would like? Do you?

Mike is currently enjoying the idea of a Les Paul. But when is he not?! I quite fancy a 50’s style Gretsch, but they don’t come cheap…!

Do you guys have any guitar heros? If so, who?

All the band are big fans of Matt Bellamy and Muse. Mike and I both grew up with the Beatles records, so George Harrison is a big influence. And more recently Kings of Leon have been doing some really interesting stuff.

Any plans to record an album?

We’d love to. We have enough songs now – and enough light and shade in them – to record an album. But we’d rather wait until we’re signed so we can do it properly. I love the recording process, and I have very definite ideas in my head of how things should sound. There’s a lot of perfectionism in this band. I think that’s why it works, but it does lengthen processes. Besides, I find it difficult enough to let go, and would probably need a label to drag me away from the mixing desk, buy me a drink and tell me it’s over!

What bands/artists would you love to tour with one day?

R.E.M, John Mayer and, of course, U2. I think our audience is theirs; they are all very song based and difficult to put into a particular ’scene’ category.

Are there any other projects outside of the band that the band members are working on?

No, this is our focus. Although we have combined other pursuits with InLight; we hand draw all the covers for our second EP ‘Postcards’. It’s time consuming, but well worth the effort! And we designed a lot of the stage show for our big showcase ‘Space’ back in May last year: video art, lighting, etc. That’s something we’re very into. I think growing up you’re either into one of two ideas of music. Some people like the stripped down bands who could just walk into a pub and be great, and others like the Pink Floyd approach. We’re in the latter. We can’t wait to take a big show on tour.

Have you been in other bands?

I was previously in a band called The Shambles which, after I had left, went on to become GoodBooks. But I’ve always played music and this is what I’ve wanted to be doing ever since I was a child. My parents gave me a portable tape machine when I was about four years old and it had an in-built microphone. I used to record myself playing piano on it and write ‘Parlophone’ on the tapes because that’s what it said on most of my Dad’s records!

How long has InLight been together?

Three years in various forms, but one year with this line-up. I really count us as being a year old as it’s since then that it has really clicked and we had a solid, committed, professional group of people whose main focus was the band.

You’re not currently signed to a record label…do you want to be?

We are currently unsigned. We’ve had some brushes with labels, including a day recording at Universal in London last October. We absolutely want to be signed. I think there is a lot of confusion in the industry at the moment as to where it’s going, and we’ve met an awful lot of bands which don’t want to be signed. We totally respect that, but we think we’d work best on a major label, and that’s what we’re aiming at.

InLight Official Website
MySpace

By: Jenny May – BandWeblogs.com

With her upcoming tour supporting Girls Aloud and her debut album release this summer, London based singer Emma Deigman is one to watch this year – and Dave and I had the pleasure of meeting her at The Regal Room in London last week.

We had a bit of a rocky start getting to the interview – the Oxford Tube bus broke down on the way to London. Luckily, though, the bus was able to make it to the Hillingdon stop where we conveniently got on the tube to where we were originally told to go, Studio Valbonne in Soho.

Even with the bus incident, we managed to get there early, buzzed the door, we were let in, and we waited a few minutes on one of the red couches (cool club by the way). I think it was the owner, Xavier, who let us in and after about ten minutes of waiting, with no one showing up to meet us, he came over and asked “who is it you’re here to see?”. After a quick call from Xavier’s mobile phone, yes, believe it or not I still don’t have one, we got directions to the actual location for the interview and show – The Regal Room in Hammersmith. We left Studio Valbonne after a few apologies to Xavier (lovely man), quickly got into a taxi, went to the correct location, and ended up being over 30 minutes late. The good thing though, is that Emma and her management knew that it wasn’t our fault for showing up late, and they graciously greeted us upon our arrival!

We were able to chat with Emma for over an hour before her show, and then, after a short wait, we were treated to an intimate acoustic set by Emma and her guitarist, in the packed room, filled with her family, friends and fans. Other acts that also played the Comic Relief Special were Peter Conaty and Dom Scheggia.

Emma’s debut single, “It Was You” is released March 23rd, and radio listeners, music buyers and fans are all in for a treat. The track has an old school feel, along with all the ingredients to make for a great pop song. Fun lyrics (”…I miss you baby, just like all the things I left in the past, but I wish I still had my Jimmy Choo shoes…”), catchy melody and high quality musicianship. What tops it off though, is Emma’s smooth, soulful voice.

It was great to see her perform “It Was You” live, with just the acoustic guitar for accompaniment. She’s set to go on tour with Girls Aloud starting April, and I think she’ll be gaining quite a few new fans during her time on the road – her biggest tour yet.

Emma has more up her sleeve than just music. The 20 year old has been acting since she was five. She’s done a lot of theatre acting, and her film debut was in the movie Last Orders starring Michael Caine and Helen Mirren, and she appeared in the BBC TV drama Daniel Deronda. Although music is her priority at the moment, she said that she would love to continue acting.

Photo Credit: Dave Tommo – Emma Deigman Live at The Regal Room, London

Emma Deigman interview

Jenny May: Do you have any favorite directors?

Emma Deigman: I think that Darren Aronofsky is an amazing director. Requiem for a Dream and Pi are incredible films.

What kind of film would you want to do next?

I would love to do a serious film.

What’s a movie that you’ve seen recently that you liked? That stands out?

Oh – I just went to the press screening of The Boat That Rocked the other night, with The Love Actually and Notting Hill director [Richard Curtis]. It’s a new British comedy film about the pirate radio stations on the boats, in the 60s. It’s absolutely hilarious. It’s so funny, you have to go see it when it comes out!

You were on Top of The Pops with Jay-Z. What song did you perform and how did that go?

Hard Knock Life. I was in Annie when I was ten and we were in the A Group – the group that opened the whole show, so we got to do every extra..and this rapper comes over from America and we had no idea who this person is, this was like ten years ago, and he was like, can we use the kids from your show to do Top of the Pops? and so the director said oh yeah, sure. So he sends us off and we have no idea what’s happening. And we meet the rapper, Jay-Z and we just had no idea, we were more excited about the fact that Five was standing next to us! Now I kind of kick myself thinking, Oh! Now he’s like one of the biggest music stars in the world, and I didn’t even know who he was. But I have a picture of him, so it’s all good!

Someday if you do meet him you’ll be able to bring up the whole story.

Yeah…that was so much fun. It was like a dream when you’re little, and we got to be on it, we were so excited.

Who are you listening to at the moment?

Kings of Leon. I pretty much listen to their whole album everyday. I went to see them live. They’re probably one of the best bands that I’ve seen. His voice…it’s so different, it’s just amazing. I’ve been listening to them for years ’cause my older brother is like, obsessed with them, and he’s been listening to them for years, and I’ve been listening to them…and now they’re suddenly just everywhere. But I love the fact that they absolutely love the British, ’cause we’re the people that brought them back! Who else…ummm…I quite like The Saturdays song “Issues”. I just love the girl’s voice – there’s one girl in it that’s got an amazing voice.

Do you think they’re similar to Girls Aloud?

Yeah, they are, they’re very similar.

You’re going to be touring with Girls Aloud.

Yes, I’m so excited. I’m a bit scared.

This will be your biggest tour?

Yes. Definitely. I’m so, so excited…

I think that’s great. This will be a great thing for you.

Yes, this will be an amazing opportunity. I can’t wait. I would never have thought that when I went to see Kings of Leon at O2, me and my boyfriend’s brother were just kind of joking, and he said oh you’ll be up there one day. And I was like, okay. He goes, I’m gonna make a bet. In the next four months. I was like, no, don’t be stupid. I give it three years. And three months later, he’s like, where’s that £50 please?

It’s a good one to lose.

I said how ’bout I pay you backstage at Girls Aloud. Haha.

So Kings of Leon and The Saturdays.

I listen to Gavin DeGraw a lot.

I’m not sure who that is.

He’s American or Canadian. Do you know One Tree Hill?

Yes.

Do you know the song, (Emma sings the familiar tune perfectly) “I don’t wanna be anything…”

Oh yeah. I like that song!

That’s Gavin DeGraw. He’s one of the most amazing songwriters. He’s just absolutely incredible. I listen to him a lot ’cause I kind of go by one of his songs called “Belief”. Kind of one of my songs that I always listen to. Britney Spears. Good ol’ Britney Spears. I kind of listen to different things. I like to listen to everything. I’ll listen to old school stuff like Marvin Gaye when I’m feeling in the mood…I love Radiohead.

They’re from down our way.

Oh, you’re from Oxford? Oh my boyfriend lives in Oxford.

Do you go to Oxford much?

Yes I do, actually. I like Oxford. I go there whenever I get a few days, ’cause I don’t like being in London all the time. I’ve been brought up in the country, my parents live in Buckinghamshire, so it’s quite nice to go back to Buckinghamshire or Oxford where it’s just so peaceful. You still have the nightlife and the big city in Oxford, so it’s not like you’re stuck away.

There’s a lot of good music in Oxford.

Yes, I’ve been to quite a few random gigs there.

How do you prepare for a live show usually? Do you have a certain routine, warmups?

I probably should say yes, but no. Haha. My singing teacher will kill me for saying that. Do you know what, there’s a lot of things out there that people say, oh, you shouldn’t drink dairy products, you shouldn’t drink coffee, you shouldn’t do this, you shouldn’t do that. I just don’t really listen to anything people say…to be honest, I eat chocolate before I go on stage and it does absolutely nothing to my voice. I don’t see the point. I eat cheese before I go on, I drink coffee. Haha…I do warm up at home…

I’m pretty bad too. I’ll just warm up to songs.

Yeah, I warm up to songs, yeah exactly. But again, I’ll probably get told off by my singing teacher for this. But I mean, when I go on tour with Girls Aloud, I’ll probably notice it a lot more ’cause I’m doing gigs like once or twice a week, so I’ll kind of get a few days to get over it, whereas I think 33 dates with one day to rest in between five of them…

The warmups will help you especially on the tour.

Yeah, I’ll do a lot more. One thing I’ve started to do, I love saying it, started. Started this week…is I’ve started going to the gym!

Do you play instruments? I know you write your own songs.

I’ve written poetry and lyrics since I was really little. It’s more lyrics and melody that I write. ‘Cause I can read music, I can sit at the piano and read the music and play it, but I wouldn’t be able and sit down and be like [she does piano motions with her hands]…I can’t play the guitar, I’d love to say I could. I’m gonna learn. Maybe I’ll learn on tour.

Do you have someone that you wrote the album with?

Yeah, I wrote the whole album with my producer Eliot Kennedy. He’s amazing. If you know who he is, he’s kind of written with absolutely everyone.

Watch “It Was You” video:

Is the video for “It Was You” on TV yet?

Yeah – it’s on the music channels.

We’ve been enjoying it!

It was so much fun to make – with all my friends. Also, with it being my first video, it was maybe a 16 hour shoot and everyone was asking, you’re not tired? But the adrenaline was kicking in…I was just so hyper from that day!

The director of the video, Trudy Bellinger has worked with Sophie Ellis-Bextor…

Yes – and she does all the Girls Aloud videos, she did the Rimmel advert with Kate Moss..yes she was amazing. She was really cool.

I watch most videos on the internet, so I’ll look forward to seeing it on TV…

Well, it’s on the chart show at the weekends and on The Box – I think it’s on weekends and sometimes during the week.

Do you have TV interviews scheduled yet?

I did one for the chart show yesterday, where I got to host my top 12 videos. That was quite fun. And at the end it will play my video and that was an interview as well, so that was fun…with it being a pop channel, I managed to get Rod Stewart, The Fugees, Marvin Gaye, Guns N’ Roses…

Speaking of Rod Stewart, what is it about him that you like so much? Jimi Hendrix is my idol, so…

Oh, Jimi Hendrix. I picked a Jimi Hendrix video! Well, when I was little, my dad loved Rod Stewart, my dad’s Scottish, and he would listen to it, and I would be like, what is this? ‘Cause I was really little, I would be like, dad turn this off, we want Britney Spears, we want Five, Boyzone, and then when I got older and started to actually appreciate music, I realized, oh my god, this guy has got an amazing voice, just so captivating. I just love it and his songs. I guess his songs take me back to childhood, I’ve been brought up on his music and a song will relate to maybe a holiday we’ve been on or a long drive.

What is one song by Rod Stewart that comes to mind that really grips you the most?

I know a lot of people would say this is cliche, but probably Sailing, only because it was one of my dad’s favorite songs, and also Maggie May, but Sailing was the one that my dad used to always play so it’s the one that sticks in my mind.

Video “Just Dance” – Lady GaGa cover by Emma Deigman:

We listened to your Lady GaGa cover of Just Dance on YouTube. We really like that. We’re passing that around. Would you ever want her to write you a song?

I think she’s awesome, so if she wanted to write me a song, I wouldn’t say no!

If you could write a song for someone, who would you want to write for?

Probably Rod Stewart, yeah. Britney Spears. Haha. Ummm, I’d like to say, maybe Britney Spears. I love Rod Stewart, but…I think I might be a bit scared writing for him, actually.

—–

Emma is very nice and down to earth, and I had fun talking to her. As we were leaving The Regal Room, we asked a guy outside for directions to the tube station. He asked if we had just seen the show upstairs. When we said yes, he told us that even though he lives just around the corner, that this was the first time that he had been there, and was there to see Emma play. I asked him how he had heard about her, and he said that she was featured on YouTube. He really enjoyed the show.

Emma Deigman on amazon.co.uk

Emma Deigman on amazon.com

Emma Deigman on YouTube

MySpace
Bebo
Emma Deigman Official Website

By: Jenny May – BandWeblogs.com

Oxford based band the Keyboard Choir is a unique collaboration of musicians that, in their own words, “make music with the turbulence and dynamics of traditional ‘ensemble’ performances from purely electronic sound sources and ‘found sound’”.

The group recently released their debut album ‘Mizen Head to Gascanane Sound’ on Brainlove Records, and word has been getting out about their music and strange on-stage antics (that have included cardboard robots).

Their music has been receiving rave reviews: “It borders on the celestial” – DiScover Album of the Month, drownedinsound.com; “this is a beautiful and endearing album that proves that when you take away all the visual elements of their live performance, the music is still what makes them truly special.” – musicomh.com; “a piece of challenging, different and overwhelmingly beautiful electronica, with an industrial edge…” – subba-culture.com – and I wouldn’t be surprised if one day they pop up on Later…with Jools Holland or even late night at the Glastonbury Festival.

In case you’re wondering about the interesting album title, the name was taken from a map that was on the wall in the room where the band was recording in Ireland.

Exclusive interview with Keyboard Choir keyboardist Seb Reynolds:

Jenny May: How long have you been playing music?

Seb: Since I was 4 or 5, I was obsessed with the idea of playing the theme from the Pink Panther on the saxophone, so I stuck at recorder all through primary school…then went onto sax and piano, got into keyboard at about 15 I think, so I’ve been at it for 10 years….

Where did you grow up?

In a really idyllic little village called North Hinksey, on the outskirts of Oxford. I have really fantastic memories, fields, rivers, summers that go on forever, isn’t it hmmm, jumpers for goal posts? etc etc

Where has been your favourite place to play live and why?

I think the Trailer Park stage at Truck Festival has been an awful lot of fun, playing 1st thing on the Sunday morning has been great. The upstairs room at the old Zodiac in Oxford used to be a real treat too, cos we could bring our robots and have visuals and make a proper huge show of it.

When did the Keyboard Choir form?

Feb ‘04, I did it as a 21st birthday present to myself. Shit, we are almost 5 years old, well, that’s certainly our mental age…

How did it come about that you guys decided to form the band (are you a “band”)?

We are a band, it works best with the current five piece line up. Although, we have played at least two really great gigs this year with different people standing in. Me, Guy and Ady have been in it since the very first practice, James has been around for quite a while, Alex is the newest member, has been in the band since the summer. The story of how we met is far too long to go in to here… I’ve got to save something for the bestselling autobiography coming out at Chrimbo… Although I will say, being keyboard players, we felt like getting together and making a big racket… and it was fun… so we kept doing it.

What is the inspiration behind the concept of the Keyboard Choir?

To make passionate, emotive, powerful, spontaneous music with electronic instruments.

Any famous fans?

Brian Eno, Emma Watson, Peaches Geldof, Greig Guillemots, Moses, Saddam before they got him…

Will you be hitting the festivals in 2009?

We will be hitting them hard…

Who are some of your most influential artists?

Godspeed, Kevin Shields, Dr Dre, Autechre, Mozart.

Where did you record your latest album? What was the recording process like?

We did the bulk of the recording in two weeks in a house on the south west coast of Ireland. It was one of the most amazing experiences of my life so far. Then Ady spent untold hours editing and mixing the album, literally months. It was a learning process for all of us, I certainly hope that the next one will get done alot quicker… Dr Dre’s gonna record it. hahaha.

What gear is the band currently using on stage?

Me and Alex use slightly shit old keyboards through knackered guitar pedals. A couple of micro korgs, a laptop with Ableton live, it’s the best software that we’ve found for what we do. James has a Triton work station, I forget what Guy has, a DW8 I think and some Yamaha thing. I also use a Boss sampler fed through a Kaoss Pad, that’s where I trigger alot of the vocal samples and atmospheric shit from.

Craziest incident on stage so far?

The laptop broke at a gig at the Port Mahon in Oxford. Woody started playing the music from Worms and Beethoven’s 9th and we had a massive spazz, it was very amusing. NOT!

Keyboard Choir live dates for November:

8 Nov 2008 4Talent Stage (Dragon Bar) @ Gigbeth Festival – Birmingham, Midlands
21 Nov 2008 Last FM @ Cargo – Big Smoke, London and South East

‘Mizen Head to Gascanane Sound’ on amazon.co.uk

Keyboard Choir MySpace

Brainlove Records

Roy and Barbara Orbison

With his voice, his look and being known as one of the nicest guys in showbiz, many music fans and fellow musicians alike will agree that Roy Orbison was one of a kind. From the beginning of his career in Texas, playing the same venues as Buddy Holly, his time at Sun Records in Memphis alongside Elvis, Jerry Lee Lewis and Carl Perkins, causing riots at shows, his lifelong friendship with Johnny Cash, touring with the Beatles – you would think that alone would be enough to seal the legendary status that would follow Roy Orbison’s career up until and after his untimely death in 1988 at the age of 52.

The Beatles and Roy Orbison

“Roy Orbison was the only act that The Beatles didn’t want to follow.” – Ringo Starr

However, unbelievably, there was much more to Roy’s life, which included family tragedies, the ups and downs of the music industry and the eventual resurgence of his career in the 1980s. He collaborated with Emmylou Harris as a duet on “That Lovin’ You Feelin’ Again”, with the song going on to win a Grammy Award in 1981, “In Dreams” was featured in the 1986 David Lynch film Blue Velvet – which would in turn inspire Bono from U2 to write the beautiful “She’s A Mystery To Me”, in 1987 he re-recorded his 1961 hit “Crying” with k.d. lang, which earned him another Grammy and he was inducted into the Rock and Roll Hall of Fame.

Roy’s marriage to Barbara is another incredible story, alongside his musical career. Barbara, originally from Bielefeld, Germany, had been spending time in England when she met Roy in 1968 while he was on tour in Britain. She was eighteen when they married the next year. They went on to have two boys together, Roy Kelton Jr. and Alexander Orbie Lee as well as Wesley Orbison by Roy’s first wife Claudette.

Barbara Orbison

In the ’80s she managed Roy’s career and was the Executive Producer of his 1987 album, In Dreams: The Greatest Hits. She was responsible for, and helped to produce the very successful 1988 TV music special, Roy Orbison and Friends, A Black and White Night, which featured Bruce Springsteen, Tom Waits, Elvis Costello, Jackson Browne, J.D. Souther, Steven Soles with backing vocals by k.d. lang, Jennifer Warnes and Bonnie Raitt and now there’s the release of the 4 CD Box Set, ‘The Soul Of Rock And Roll‘, compiled by Roy Kelton Jr., it includes liner notes, demos, live recordings and 12 previously unreleased cuts spanning his entire career. Today, Barbara continues to watch over Roy Orbison’s music and business affairs as well as her own music publishing company, “Still Working Music”.

At the beginning of my phone interview with Barbara, I was a little nervous, but eventually things settled and our conversation became relaxed, as though I was talking to an old friend. It’s amazing to think that the woman on the other end of the line was the inspiration for one of my favorite Roy Orbison songs, “You Got It”.

Jenny May: Did Roy have a lot of input on the backing vocal arrangements of his songs?

Barbara Orbison: He wrote all of those – he was quite an architect.

What was one of your favorite “Roy Orbison” moments – is there a particular live performance that stands out?

I loved him…they were all good moments…I always loved that he would hardly ever give encores, he was very tough to push into an encore, but sometimes the crowd, I mean they would always push him into one, two, but sometimes they would push him into seven encores of “Running Scared” or “Crying”. I loved it.

Who stands out as someone that Roy liked singing with the most?

He was a solo singer, but there was The Traveling Wilburys (Roy Orbison, George Harrison, Jeff Lynne, Tom Petty and Bob Dylan), or when he did the Black and White Night or the Class of ‘55 (Roy Orbison, Johnny Cash, Jerry Lee Lewis and Carl Perkins), so you can really see that he loved being part of a group as well.

Were there many songs that he wrote about you?

Yes there were and there’s some on the Box Set, like there’s a song called “Precious”, “You Got It” was for me, there were many…”California Blue”.

What was one of Roy’s favorite performances by another artist, of one of his songs?

One of his songs…you know, of course he loved Linda Ronstadt’s “Blue Bayou”, Van Halen “Pretty Woman”, Tom Jones sang “In Dreams”…there were many people that have sung Roy songs…k.d. lang sang “Crying”.

The story about Bono and how “She’s A Mystery To Me” (watch Bono’s video interview) came together seems a very special story…

Yes it was special as we didn’t really know Bono, and we went to a concert because of a mutual friend of T-Bone Burnett. I had listened to the band, Bono and the U2 album, and I had seen them in LA, but Roy was on tour and we happened to be in London, and so when we walked backstage, it was like Bono had been waiting for Roy and he said, “Oh my God I can’t believe you walked in, I had been listening to ‘In Dreams’ all night long”, and they started writing the song together.

It’s beautiful. How did Roy feel about singing that – did he talk a lot about how that came together?

Bono and Roy met and they really became good friends through it and they would meet and talk and structure the song. So Bono came in to LA and produced that song and it was just so amazing.

Did the two of you spend much time in England together?

All the time.

Did you have a favorite place here?

We loved England. London would be our favorite place. Some of the coastal sites were great. It was like a second home. I mean, it still is, I’m calling you from my flat now.

I wasn’t sure where you were. Are you in London?

Yes.

Not too far from me. I’m in Oxford.

I love Oxford too.

Yes, me too. With the release of the Soul of Rock And Roll box set, I know that your son had a lot to do with getting the songs together, but was there a special process of selecting the songs?

There was. The process was an incredible, tedious one, because you have to select everything that reflects the artist’s work, and the sense of history, and then you have to line them up. You know, with you being a musician you know that one song doesn’t flow into the other one easily. You can see that this 4 CD Box Set plays so well because Roy Kelton just lined it up where it would flow, he’s a musician, I just know by when he started working on it because I would see all these little pieces of paper that would say one song is 2.8 minutes one is 3.4 one is a ballad one has a guitar part in there that corresponds to the other one…you know, you will so enjoy, Jenny, listening to the CDs.

I’m looking forward to it, and it sounds like he put a lot of time and care in selecting the songs and the order of them.

Yes – and you know I can’t wait for you to write your blog, because we write blogs for Roy in America too. My son would love to see it when it comes out…there’s always so much of Roy coming out. We’re doing a big salute to him with bands and everything.

I can’t wait. In the first band that I sang with back when I was seventeen, the band would sometimes go out and do Roy Orbison songs for a night and he would pack the places. I sang back up with this other woman and it was one of the most exciting experiences, singing those parts.

They were quite difficult to sing, I always get that feedback, but do you still have some recordings from those nights?

I’ll have to get back in touch with the band to find out – but people absolutely loved going out to those shows.

———-

Barbara wanted me to be sure to mention that there’s a BBC documentary in December 2008 and a BBC radio show with lots of good things coming out about Roy. She also has her special pet project: to petition for Roy Orbison to get a stamp in America. She asked that readers go to the website to sign up for the stamp petition. She said, “Bill Clinton, Bono, everybody has signed it, it’s totally safe.”

Roy Orbison Commemorative Stamp Petition

Roy Orbison – The Soul of Rock ‘n’ Roll on amazon.co.uk

The Soul of Rock and Roll on amazon.com

Roy Orbison Official Website

By: Jenny May

Mink is a high energy, hard working rock band formed in 2006 with members hailing from the US and Australia. In a short time, they’ve already written more than 60 songs (30 of them in one intense three-week stretch), recorded their debut album in just four weeks and have played shows with KISS, Perry Farrell, Angels & Airwaves and festivals such as Lollapalooza and the Fuji Rock Festival in Japan.

Their first single, “Talk to Me,” has been receiving airplay in the US and their songs have appeared on TV.

Mink is one of the hottest up and coming rock bands on the scene – and is one to watch!

Members are: Neal Carlson (vocals) from New York, Stella Mozgawa (drums), Nick Maybury (guitar) and Grant Fitzpatrick (bass) from Australia.

Download MP3: “Talk To Me” remix

Grant Fitzpatrick from Mink exclusive interview:

Jenny May: With Neal being from New York and Stella, Nick and Grant from Australia, where and how did you meet to eventually form the band?

Grant Fitz: Nick and I went to NY to meet Neal who was writing with a friend of ours. We wrote some songs and jammed and then did a show, which was a lot of fun. From there we went home to Australia with Neal coming shortly after. Nick introduced us to Stella who we fell in love with straight away. We wrote some more and toured and made an album with Spitfire Music who always believed in us from the beginning in New York. So the band was formed in New York and Sydney really. They are both special places for us.

Have you played many shows in Australia and do you plan to spend time there touring? Do you visit often?

We’ve toured the East coast 3 times with different bands and we loved it. Stella is there now actually and Nick and I visited last summer. I would love to spend some time touring there again, ideally in the summer. The whole country turns into one giant bbq/beach party/festival in the summer. You can’t help but have a good time.

How was it decided that you would call your band Mink?

We thought it was sleek and sexy and nobody had any better names so we all agreed on Neal’s idea.

How many shows did you play with KISS? How did that go?

We played 2 shows with KISS and had a blast. Gene and Paul were great to meet. The first record I bought was Dynasty and I was a big fan when I was a kid so it was weird also but they were great and their audience was even better.

Who are your rock heroes?

Between all of us there are some collective heroes and they would be Jimi Hendrix, Frank Zappa, John Lennon and Yoko Ono, Perry Farrell, Flea, Brian Eno, David Bowie, Captain Beefheart, Tom Waits, Frank Black, George Harrison, Neil Young, PJ Harvery, Nick Cave and Bjork.

All time favorite rock song(s)?

Jimi Hendrix ‘Voodoo Child’, The Beatles ‘Revolution’, Frank Zappa’s ‘Muffin Man’, Jane’s Addiction ‘Mountain Song’.

Your song “Pressure Pressure” was featured in ESPN’s 2006 Major League baseball playoffs coverage. Are you baseball fans? If so, which team(s) do you support? Do you have a favorite sport?

Neal likes baseball all sports basically. I’ve been to a Yankees game and may go to another one tomorrow actually but I prefer one day cricket.

Stella is a great drummer. Who are her musical influences?

Her influences as a drummer are probably Keith Moon, Steven Drozd, Levon Helm, John Bonham and a lot of other players like Billy Cobham and Jeff Pocarro and also bands like Yo la Tnago, Devo, & Neu! She is a huge Bjork fan and is totally into Timberland’s production techniques and music.

What club or bar would you recommend to a friend who likes to party, and is willing to travel anywhere?

The Chateau Marmont in La is always fun …

You have a lot of video footage on your YouTube profile, which is great for your fans. Do you have a favorite “Rockumentary”?

There are some really good ones but we were watchin ‘You’re Gonna Miss Me’ the Roky Erickson Story on our last tour. The Last Waltz is a favourite of mine and Stella’s.

Have you acted in movies? Do you have any interest in acting in films?

I’ve acted before but not in a movie. I’ve worked on films and love to edit and direct. I had the opportunity to direct our last 2 videos and loved the experience and would like to do more. Acting in films would be something I would be interested in for sure, why not. I actually think that Neal is a natural at it. We started making a horror movie when we started recording the album in 2006. Neal was the lead and was so good and naturally funny also. Stella is a huge fan of film also.

Your music has appeared on TV – has your music appeared in films?

Not yet but we just submitted some songs for a new Darren Aronofsky film yesterday. Fingers crossed.

What are your thoughts on the prospect of one day having your music in video games?

I grew up playing video games so I’m into it. Music complements everything we do or participate in. It’s everwhere, why not a video game. Guitar Hero or Rock Band would be insane to have a song in. Or even just some crazy racing car game would be cool.

Any particular band antics happen on stage during a night of playing?

Not always but sometimes someone will fart and you’re mid song and it hits you and you get a ckeeky look from the purpitrator from across the stage. Stella likes to get out from behind her drums and take the mic while Neal tries to keep in time on the drums. That usually cracks me up.

Who tends to be the instigator?

It can be anyone at any time.

Your album was recorded in just four weeks. Where did you record? What was your recording process – did you record live?

We recorded at a studio called Radio Star Studios in Weed California in the north near Oregon. It’s situated under a volcano called Mt Shasta. Sylvia Massey has built a complex of studios and housing so that at any time 3 or 4 bands could be working up there, recording and writing. We recorded as much live as possible but it was a very creative time and ideas kept flowing so there was over dubbing happening all the time also. The main studio is an old theatre with some great vintage console’s and outboard gear. It’s very laid back and friendly and we had a lot of fun there. We shared our time there with COG and had a lot of fun hanging with those lads.

You were recently in Japan for the Fuji Rock Festival. How did it go? Were you able to watch other acts’ sets?

Fuji is the best festival I’ve seen. We had a blast and loved being in Japan. We have some sort of affinity with the place. We always wanted to go there as a band. So much fun was had although it was a very quick visit. I saw Grand Master Flash, Mongol 800, Asian Dub foundation and the Zutons. All were great and our set was a lot of fun after having a short break from touring. See ya’ll back out there soon!

Thank you!

Thanks Jenny.

Grant Fitz.

For music, tour dates and more information, go to:

MySpace
Mink UK
Mink Official Website

The first time that I heard The Fullertons was during their soundcheck. I was outside, sitting in the back garden behind The Jericho Tavern in Oxford, and I couldn’t tell if it was the band or a DJ playing a CD.

A few minutes later when I went inside and up the stairs, I found out that it was indeed the band, and from just the soundcheck – hearing the music from quite a distance, outside with the sound coming out through an open window, I was very much looking forward to watching their show. I was also singing with a band that night (currently being renamed), and it’s always good playing your own gig and also being treated with an entertaining set by the other bands that might be playing with you.

The Fullertons put on a very entertaining show and as I’ve said before on Band Weblogs, they look and sound great. Their songs are tight, energetic and the keyboard adds a nice touch to their indie/pop sound.

This summer, they’ve been touring around the UK and have recently come back from playing in Moscow, Russia.

Frontman/singer David Chanell took some time out for an interview with me for BandWeblogs.com.

Jenny May: How long has the band been playing together?

David Chanell: The band as it stands has only been playing together for a few months, but The Fullertons started with a slightly different line up about 18 months ago.

When and how did it happen that you and your brother Chris started playing music together?

Chris is my older brother, and he had gone off to uni in Nottingham, but after the 1st term dropped out, and a year later when he tried uni again he ended up choosing the same uni as me (Leicester). This was where we began to play in a uni band together that sowed the seeds for what became The Fullertons. The band mainly then played covers at uni events, but our own stuff got us noticed enough to play with the likes of Jools Holland and Goldie Lookin Chain at the uni.

What is your songwriting process like?

Currently it’s usually the case that a song idea will come from me or Chris, and then Rich and Rik pick it up and work out a good bass line and drum part to compliment it. Then we share lyric duties and give help and tips to each others’ individual bits of the song. It’s not a one man band, and we all seem to be on the same wavelength when it comes to new ideas.

What music did you listen to when you were growing up?

Growing up, my first influence was Buddy Holly, my early teenage years were in that awful gap after britpop and before the Libertines, so I didn’t have any modern influences, until I got towards the age of 18. Bands that remained with me throughout the early years were Supergrass and Kula Shaker. The rest of the band have very diverse influences and musical backgrounds, but we can all sit together and enjoy the same stuff now.

So far, where has been your favorite venue to play?

The best venues to play are the busy ones, and then it doesn’t matter whether it’s a glorified pub or a beautiful theatre… but there’s been a few that are really nice places to play, these being Scala in London, The Orange Box in Yeovil and Club 85 in Hitchin.

You just played a few shows in Russia – how did it go?

Russia was amazing. Chris had been there before, but for the rest of us it was a new experience, and that in itself was amazing. The gig made it even better, the venue was full, and the people were friendly, and everyone seemed to really get into what we were doing. I was quite nervous about the prospect of it as the DJ was playing the best of Britpop all night, and really modern music hasn’t quite reached Russia in a big way yet. Moscow has some amazing sites, and we crammed this all in, as well as making the most of our generous hosts’ hospitality. We hope to return.

How was the audience reaction in Russia compared to English audiences?

The Russian audiences are there to dance, and probably just hope you play dancey tunes. A UK audience doesn’t want to let go as easily.

Do you have plans to release material in Russia and/or to play there again?

Releasing something over there would probably be quite successful, but you would need to play out there far more and get the radio and press support just as much as you do here. It may be slightly easier to break russia just purely due to a smaller number of bands out there.

Where else would you like to tour?

To see the world doing what you love is the best feeling, so getting the chance to do more all expenses paid travelling would be amazing – and if it was free I’d go anywhere. Despite this being in some peoples minds more boring, I would love to see and play in the US and Australia.

How often do you practice?

We try to rehearse once a week as a full band, and do writing sessions with however many of the band can make it on other nights of the week.

What was the last CD that you bought?

The last CD I bought…hmm…I really can’t remember, I’m into the whole iTunes thing…and the last few tracks I purchased there would be The Cribs “Another Number” and We Smoke Fags “Eastenders”.

Favorite movie(s)?

I’m into loads of WW2 POW films, anything that’s got a true story behind it, makes it far more exciting. The most recent film I saw was a new one called “The Bank Job” and that fits my credentials for a good film, bit of action, based on true stories, and funny.

Where was the video for “Where You Going To Now” (watch video) filmed?

Where You Going to Now, was filmed at a club in Soho, that is basically Stringfellows…but it’s been re-named.

What was it like making the video and who are the ‘club going’ girls?

The video experience was amazing, something we had never done. It was a long day, but it was really insightful to understand a little how that industry works. The girls had auditioned for the parts, we only met them on the day. We had been contacted by other girls that were hoping to be in it, and didn’t make the part..so that was all quite exciting – and The Sunday Mirror wrote about it, so that was a bonus! Check it out on our myspace (it’s a bit old now, though).

What band would you want to tour with someday?

I would love to tour with someone like Supergrass, just because I couldn’t get bored of watching them every night, but from modern bands who are breaking through, a band that would be great to tour with would be someone like Vampire Weekend.

What’s your idea of the perfect party?

The perfect party would be at a house…but not ours…with good music, a great live band, mates, and loads of free food and drink, with some kind of amazing pill that stops you getting a hangover the next day.

The Fullertons will be playing a Live Session on BBC 3 Counties radio Friday, August 1, 2008.

For tour dates, music and more, go to:

The Fullertons MySpace

Last night I went to the Reckless Sons and The Splendour show at Madam JoJo’s in Soho, London.

Before the show, we were having drinks across the street from Madam JoJo’s, upstairs at The O Bar, and the newest addition to the New York City based band Reckless Sons, drummer Austin Schumacher, sat down with me for a quick chat. Before making their way to the UK they played a couple shows in Washington DC area that went down well and he was looking forward to playing the London show and their UK tour. They’ve just finished shooting a video for upcoming single, “Blood”, which was filmed in New York, and from his description, sounds like one to watch out for when it’s released.

As 9:30 approached, we made our way to Madam JoJo’s for the show. I was looking forward to seeing these two up and coming bands, one from New York and the other, The Splendour, from Brighton.

The Splendour went on first and I was glad to have been there early enough to see their whole set. They’ve been receiving very good reviews, and now I know why. They have a great current, indie sound, but there’s something different about The Splendour. They’re not your ‘typical’ indie band…there’s something more “artsy” and clever about them – maybe it has something to do with them being from Brighton, that they produce a different feel to their songwriting. Singer Justin Gourlay has a subtle approach on stage, which is endearing, and the harmonies were good to hear. When they played “Audio” my ears perked up, as I was familiar with the song. An excellent number as well as their single, “Money”. Both songs are off of their upcoming debut album ‘The Best Way To Make Money’ set for release August 2008.

Rockers Reckless Sons are fairly new on the scene – especially here in the UK. One thing I really enjoy, is being able to see bands play before they become household names. I wouldn’t be surprised if I’ll be saying that about Reckless Sons. It’s refreshing to hear rock music these days, and the contrast between the two bands’ styles worked well.

Singer/frontman Matt Butler has the passion that you want to see when you go out to hear rock – and I was quite surprised at how good guitarist Emiliano Ortiz sounded during his solos. I think his solos caught me off guard. Apparently I’ve been getting used to the current wave of new music being played on the radio – and a lot of it, unfortunately, doesn’t include great guitar solos. Again, very refreshing to hear live. Austin is probably one of the hardest hitting drummers I’ve seen in awhile – at one point a piece of his stick went flying into the crowd, and it was fun to watch bassist Jacob Sloan’s quirky style on stage.

When the band played their hard rocking version of Elvis’ “Jailhouse Rock”, for a moment I was spooked. I felt that I could have been watching them from five decades before. Matt has a look that could easily have fit in then, and I had flashes of the movie Eddie and the Cruisers going through my mind, and that’s also when I realized that Matt reminds me of Bruce Springsteen – who has an old school look and sound about him, too.

This show is highly recommended.

The bands will be on tour together in the UK July and August 2008.

For tour dates, music and more, go to:

The Splendour Myspace
The Splendour Official Website

Reckless Sons Myspace
Reckless Sons Official Website

By: Jenny May – BandWeblogs.com

Teddy Thompson has released his fourth studio album, ‘A Piece Of What You Need’ – which includes one my favorite songs released in 2008, “In My Arms”.

I’ve been intrigued by Teddy Thompson, not only because of his talent, but because of his ability to capture a rustic and classic sound that has subtly eased into the realm of mainstream music.

It’s also good to see true musicianship is still alive and well in the 21st century. Sometimes it’s difficult to see musical camaraderie amongst the commercialization of music. Teddy is the son of musicians Richard and Linda Thompson and over the years has collaborated – and harmonized – with both of his parents, Rufus and Martha Wainwright and many others. In my opinion, he is a great example of what true musicianship is.

Read the exclusive interview for Band Weblogs:

Jenny May: Where have you found to be the best place to write songs?

Teddy Thompson: I find that the place has little to do with it, it’s the state of mind. I don’t get a lot of writing done at home but that’s because I’m traveling a lot and when I am home it’s relaxation time. So, as long as I put my mind to it and sit down to work, I can be anywhere. It does end up being hotel rooms an awful lot.

Is there a show that you played that stands out as being a favorite?

I’ve had wonderful moments on stage but I’m always sort of waiting for the great performance to come. Where everything goes brilliantly and I have a transcendent experience. It hasn’t quite happened yet so I’m still waiting for my favorite show…

You’ve worked with many wonderful artists over the years. Are there times when they’ve inspired you when coming up with song/music ideas? If so, how did their inspiration effect your music?

Yes, it’s hard to say exactly how that works. I think it’s mostly subliminal for me. We naturally absorb what’s going on around us and later on it may influence your own writing.

With the artists that you’ve worked with, there seems to be a warm community of family and friends around you which reminds me of the Carter/Cash years – something that I don’t seen very often in music. How do you think camaraderie amongst musicians has changed throughout the years?

It’s great to have friends and family in the same business, I can’t imagine what it would be like to be the only musical person in your town and family as is the case for most musicians.. But as far as a musical community, there have certainly been lots of those – LA’s Laurel Canyon in the 70’s must have been pretty cool!

Is there a musical genre that you would one day like to venture into that you haven’t yet?

I’d like to make a traditional folk record someday.

Do you enjoy solitude?

Very much. I find it hard to spend an extended period of time with anyone.

Do you prefer romantic or political songs?

Romantic.

Who would you like to record with that you haven’t yet?

Nobody living. LOADS of dead people! Some sort of undead jam session would be really great.

Who is your favorite male/female duet and which song?

At the moment it’s Robert Plant and Alison Krauss doing that Everly Bros song.

You’ve had songs in movies – have you ever acted in any films?

NO, acting is like, totally hard.

Any projects planned outside of music?

I am working on decorating my new apartment.

What is your idea of the best way to chill out at the end of a long tour?

I always think that it would be good to take a real vacation on a beach somewhere and truly relax but inevitably, I just want to spend time at home after being away so long.

Who is your favorite country artist of all time?

Hank Williams.

For more information, music and tour dates, go to:

Teddy Thompson Myspace
Teddy Thompson Official Website

Teddy Thompson – A Piece of What You Need on amazon.com

A Piece of What You Need on amazon.co.uk

iTunes

DJ Disciple recently released his “Work It Out” debut single on House Trained Records. The song features Dawn Tallman and the single includes dance mixes by Mischa Daniels, Klaas, Whelan & Di Scala and more.

DJ Disciple is one of the busiest DJs out there, playing clubs around the world, and has worked in more clubs in the UK than any American DJ before.

Being somewhat new to the DJ scene, I thought it would be interesting to learn more about DJ Disciple, and also to introduce him to Band Weblogs‘ readers who may not yet be familiar with his music.

Jenny May: What is a typical week like for you when you’re on the road, touring clubs?

DJ Disciple: Absorb the culture, food, and music trend going on in the region.

What is a typical night like for you when Djing at a club?

Much of my support system coming out for me, going crazy, but stealing all of my drink tickets since I never drink.

Do you have a favorite place where you like to play?

Lesouk, my bi-weekly residency in New York where I push the latest trends of house music and The next level party where I continue with the traditional soulful sounds of house.

What are your favorite songs at the moment?

Afefe Iku’s “Mirror Dance”, Bob Sinclair & Axwell’s “Wonderful World” and too many others to mention.

How do you come across the music that you play?

My connection has always been strong musically. Record labels always give me things to play because I work every week.

Do many people travel with you on the road (who is your team)?

Nope, I’m solo.

How was it decided who would do the remixes of “Work It Out”?

David Tort and I met at DJ Ruff’s house in LA. I agreed to do a swap with them on their project and I did the remix with them for “Work It Out”. When we finished, Gilbert Le Funk got commissioned to do his own remix. I was the first label he did remixes for and I believed in his talents immensely. Now everyone knows how good he is.

How did Dawn Tallman get involved?

Dawn did the original song as a relationship record, but I decided to ad my lyrics to make it more of a party vibe.

You’ve been involved with many different projects like film, remixes, Djing – what do you enjoy working on the most, creatively?

DJing by far. It still drives me. I love the thrill of taking the crowd on a musical journey.

Where do you like to go to just chill out?

I’m a comic book freak, well, a book freak in general. I love reading.

If you could work with any singer/artist, that you haven’t already – who would it be?

Ron Carroll and Duane Harden.

What is your preferred studio environment like when recording?

Anywhere in Europe with engineers that use Logic.

Are you working on or planning other projects for the future? If so, what?

David Tort’s new single with DJ Ruff was out last week. I have some special trackier things coming out for the summer. Watch for them!

For more information, go to:

DJ Disciple Myspace