Mason Jennings is a veteran US songwriter that's coming into his own. Now signed to Brushfire, his new album 'In The Ever' has all the hallmarks of an American classic.

Singer/songwriter Mason Jennings has long been one of the best-kept secrets in American music - but not for much longer. In his adopted home of Minneapolis his shows have recently drawn as many as 3,000 fans, and he was hand-picked last year to perform two Dylan songs, in the recent movie 'I'm Not There', as lip-synched by Christian Bale in the movie.

Watch "Fighter Girl" video

And now, his sixth full-length album, 'In the Ever', is being released on Jack Johnson's Brushfire Records, after the chart-topping performer personally recruited him for the label.

"I've known Jack for a long time," says the affable Jennings, who was born in Honolulu, moved with his family to Pittsburgh when he was two, then dropped out of high school at 16 to relocate to his current Twin Cities home. "We did an outdoor show together at a tiny college in Minnesota about six years ago. We toured for about two months and became good friends. He told me, if I ever wanted to record for his label, he'd love to have me. It seemed to make sense that this would be a good time to do it."

Coming off his 2006 record 'Boneclouds', on Modest Mouse's Glacial Pace label, Jennings retreated to a studio in the woods, where he set himself up with a laptop and two microphones. The title 'In The Ever' comes from his son talking about where he came from before he was born, "Ya know dad, when I was in the Ever?"

"It was pretty raw, but fun, because that's how I grew up working," says Jennings about the recording process for 'In the Ever'. "I wanted to do it quickly in a childlike way. I'd write songs in the morning, record them in the afternoon and finish them up by night."

'In the Ever' continues Jennings' spiritual journey, informed by his love of influences like Leadbelly, Mississippi John Hurt, Hank Williams, Johnny Cash's American recordings and Led Zeppelin, his favorite band of all time. "I just wanted to make sure it's not re-enacted music," he says. "I have no use for being a retro artist. I want to understand my past and come from something, but move forward at the same time."

According to Jennings, the songs on the new album can be interpreted about an individual or the longing for God, as in the opening "Never Knew Your Name," which juxtaposes the harsh earthly aspects of the lyrics with the comfort of transcendence. "If the house is on fire/You're gonna run for the door/If the door is on fire/You're gonna kneel on the floor/You get down low/You learn to love the flame/I've been loving you forever, but I never knew your name." His music has its roots in ancient folk tales updated for the modern world.

"Every human being is put in that position," he explains, "where you must learn to love the very things that threaten you."

"Something About Your Love" could be an outtake from Neil Young's After the Gold Rush, while "I Love You and Buddha, Too," with a vocal cameo by Jack Johnson expresses Jennings' basic idea of the oneness of all religions. "I don't believe anybody is on the outside, or excluded," he says. "We're all a part of things."

"Going Back to New Orleans" segues from the tragedy of Katrina to the invasion of Iraq, with a chugging locomotive sound created by "blowing the same note on four different harmonicas at random times."

"How Deep Is That River" outlines Jennings' crisis of faith and looking for reasons to believe. "I feel kind of uneasy because I haven't found any answers," admits Mason. "Part of the journey for me is becoming more comfortable with not having the answers. That ambiguity is really hard for me."

With a family that includes two kids, 5 and 2, Jennings continues to balance his touring demands with home life. With 'In the Ever', Mason Jennings is looking to expand his cult status, especially since he'll be touring with Jack Johnson later this summer.

"It's been a slow growth, but extremely fun for me," he says. "For me, it's about expanding and working from a place of joy. If I can enjoy what I do, and make new art that inspires me, everything will work out for the best."

"Fighter Girl" single is set for release in the UK August 18th, 2008; 'In The Ever' album out August 25th.

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I'm Not There, a daring and innovative film inspired by Bob Dylan and directed by Todd Haynes (Velvet Goldmine, Far From Heaven), takes various stages of Bob Dylan's life and career and reinterprets them to the soundtrack of his music. Unlike Factory Girl, in which a character apparently based on Dylan forced his lawyers to threaten to sue the makers, this movie received his blessing. It's easy to see why: Haynes shows a respect for his subject and the shape-shifting and multiple identities Dylan has undergone over the years, by re-enacting this tendency in film and employing a variety of actors to portray aspects of Dylan’s persona over time.

Each of the actors is given their own narrative loosely based on actual events and interviews from Dylan's past: Marcus Carl Franklin plays a young black version of Dylan who calls himself 'Woody' and thus represents the beginning of the artist's career, when he styled himself on folk singer Woody Guthrie; Ben Whishaw plays the 'poet' Dylan styled after Arthur Rimbaud; Heath Ledger plays Robbie Clark, a Hollywood actor estranged from his wife Claire (Charlotte Gainsbourg) and children, representing Dylan the star refracted through his personal life; Christian Bale plays Dylan as a young, politicised folk singer and later becomes 'Pastor John' (Dylan the born again Christian); Cate Blanchett plays Jude Quinn, or Dylan at the height of his fame in the 60s, when his original fan base rejected him as a sell-out for going electric; and Richard Gere plays the older Dylan as a Billy the Kid figure in a surreal and haunting Wild West town. All stories are filmed in a style unique to each character and are informed by cinematic history: from cinéma vérité to Fellini, Goddard and westerns.

Narratives are spliced throughout, taking you from Woody to Billy in an unpredictable but oddly fitting manner. There are many beautiful set pieces which could easily be extended and beautifully directed music videos - notably those in the Billy the Kid story, which features some stunning moments set around the bandstand, where Billy stands up to his nemesis Pat Garrett in a rustic, circus style setting. Revisiting the movie upon its DVD release I was struck anew by what seems to be perfect casting - particularly that of Cate Blanchett, Heath Ledger and Charlotte Gainsbourg.

Much has been said about Blanchett's performance, which really captures Dylan as he was in the 60s (see D.A Pennebaker's documentary Don't Look Back). Choosing a woman with Blanchett's luminous beauty was a risky strategy but it pays off. Her performance illustrates just how alien Dylan appeared to people in the 60s: androgynous, full of riddles. Her every move, gesture and even the timbre of her voice is uncannily and inherently Dylan - culminating in a memorable confrontation between Jude and a journalist in the back of a car.

Heath Ledger's performance is shot through with pathos given his recent death; already ensconced in the more emotive parts of the film, his scenes were even more moving given the circumstances and it was difficult not to feel choked seeing him so young and fresh on the screen. He and Charlotte Gainsbourg offer us a more personal, intimate story than the rest, portraying the start and finish of a relationship very movingly. Their naturalistic performances give the impression of a couple's life together in what constitutes only a segment of the film's wider whole, and they deserve praise for their success in realising this in so short a space of time.

The rest of the cast also acquit themselves well: as usual Christian Bale performs with intensity and integrity and Marcus Carl Franklin is impressive as a man-child searching for an identity. Even Richard Gere was less smug than usual. Ben Whishaw delivered some powerful monologues but the character of Arthur was less tangible than the others and only seemed there to provide some way of knitting together the disparate stories.

In all, this movie does well to emulate the slippery nature of Dylan's own self-mythologizing and delivers a series of unforgettable stories strung together by his music.

And the DVD extras? They include a passionate and intelligent commentary from Todd Haynes that gives an account of how much research and dedication went into the movie. Given the restraints on location (the movie was shot entirely in Montreal which had to stand in for London, Greenwich Village and the wild west) and time, the sense of commitment from everyone involved is clear from Haynes' words.

There's also a set of informative interviews with Haynes and a lovely video tribute to Heath Ledger. A mini documentary on the making of the soundtrack is also worth a look. It features an interview with Sonic Youth's Lee Ronaldo, who produced much of the album. Considering the film itself features a mesmerising reworking of "Going to Acapulco" from My Morning Jacket's Jim James and Calexico, a discussion with the guy who had the fearsome task of reinterpreting a selection of Dylan's songs for contemporary artists simply had to be on the cards. However, it was a shame that there weren't more interviews with other artists involved in the soundtrack, such as Eddie Vedder or Richie Havens (who is also in the movie). It would have been nice to hear their thoughts on the project. On that note, I'd have liked to have seen some cast interviews as well.

I won't split hairs. There's a written contribution from Greil Marcus for goodness sake! And it's the movie that's the thing. I'm Not There stands up to and becomes even more enjoyable on repeat viewings, and supplemented with the background information currently available in the Extras, is something I would advise Dylan and movie fans alike to invest in. Although you come away with no greater knowledge of the legend himself, your appreciation of Dylan's work is all the greater for stimulating creative and original endeavours such as this.

I'm Not There (Two-Disc Collector's Edition) on amazon.com

I'm Not There [2007] on amazon.co.uk

Bob Dylan Official Website

By: Lindsey Davis