Lanar, Pamela Cornelius and Venus Adore were all performers in Barry White: Guided by Destiny a Musical stageplay about the life of Barry White. Emmitt Thrower, the Producer of that Off Broadway show is also producing this concert. In Barry White: Guided by Destiny, he portrayed the unforgettable “Ali”. The Concert will feature Instrumentals by the “Kingsters Unlimited Love Band’, Hit songs like “High Steppin” by the Love Unlimited Singers and of course Lanar singing some of your favorite Barry White tunes like “Practice What You Preach”, “The First My Last My Everything”, “Let the Music Play” as well as a surprise Duet originally performed by Barry White and Glodean White. A day of Love songs, Dance tunes and an incredible dancing exhibition that takes you back and brings you to the future.

Ticket Price Info:
$40.00 in advance
$47.50 at the door
$35.00 Student, Senior, Groups
Order Tickets By Phone:
212-352-3101
online www.theatermania.com
Groups 917 716-6635
The Times Square Arts Center
300 West 43rd Street
5th floor Off Bway Theater
New York, NY 10036

Connolly’s Pub and Restaurant, located at 121 W. 45th street in mid town, was the host for the launch of Not Fade Away Records’ third album “The Cost” by the Tim Young Band.

The party was a terrific celebration of over a year’s hard work. Recording began on the album during March of 2007. Tim had located the independent production team of Counter Clockwise Music through an association with Mike Stephens who hosts a podcast in Wayne, MI. Producer Mark Meisel heard the track ‘Renegade’ on Mike’s podcast and became interested in contacting Tim.

Tim Young - “The Cost”

That’s how the story begins. The rest, as they say, is history. The collaboration between Tim Young Band; Tim Young, rhythm guitar and lead vocals; and Sand Edwards, drums; and all involved from Counter Clockwise has been, in my humble opinion, a smashing success.

Since such strong bonds had been created during the week when basic tracks were recorded, not to say anything about the months of mixing through via emails, it only seemed damn appropriate that the entire Detroit team be on hand for the release party. Let’s say I was more than pleased when after I made the suggestion to Mark Meisel and Bob Becker that they get themselves to New York City for this party, they enthusiastically approved.

To make things even more complete, two other players who made such important contributions to ‘The Cost’ were also able to attend. Dave Leeds, who plays bass on all the tracks, as well as Bob’s brother, Rick Becker, who added the amazing electric guitar parts to the remake of ‘Renegade.’ Mark Meisel also tore the place up with his electric guitar. Mark added electric guitar to all the other tracks on the album in addition to all the keyboard parts.

It was the celebratory mood and the rejoining of old friends that helped to lift the party into the higher vibe at Connolly’s. The Klub Room is the party room and the good times are as easily spilled there as a pint of beer. Many old and new fans of the band were in attendance. Over one hundred in all. The constant gigging among the bars of Hell’s Kitchen’s ninth avenue have turned out to be so very valuable.

Aiding to the sounds of the party was Tim’s son, Adam, who brought along his laptop packed with great rock n roll to fill in the gaps when the band was not performing. Adam was also involved in one of the highlights of the show during a jam of Tim’s song ‘New Orleans’ at the very end of the performance when he and engineer Bob Becker popped up on stage to help sing the chorus.

That’s what was so appealing about the mood of the evening. An extended family brought back together for a reunion and I think everybody could feel those connections. Marks’ wife, Billie Meisel, also helped keep things flowing smoothly by seeing that everyone that came into the room received their copy of ‘The Cost’ for their five dollar contribution.

The music and enthusiasm would not be contained once the Klub Room had to dim the lights so an impromptu after party materialized at The famous bastion of dive bars, Rudy’s, over on ninth avenue and 44th street. The band and the entire Detroit contingent swooped into Rudy’s where, Danny, the most cordial manager, immediately tossed ‘The Cost’ CD on the player and everyone drank toasts aplenty. A fitting night cap to an evening replete with great friends and rock n roll.

http://www.timrocksweb.com
http://cdbaby.com/cd/timyoung3

Beijing has been the world’s focus of attention for international events in 2008: the Olympic Games in August, and the Paralympic Games in September. From October 3rd to 8th, Beijing will host the 2008 World Folk Song Festival, featuring performers from 25 different countries and 13 Chinese provinces.

The six-day extravaganza will be held at Beijing’s colossal National Centre for the Performing Arts (NCPA), a 600,000 sq. ft. facility nicknamed “The Egg”. A reflective pool in front of the majestic dome gives the illusion of a gigantic egg suspended in mid air. For one week, the NCPA will echo with songs from around the world and will introduce Chinese audiences to some of the finest folk music and traditions from around the world. Sones de Mexico Ensemble will perform live in concert in the National Centre for the Performing Arts Theatre on Monday, October 6th at 2:00pm. The group will give a performance presentation in the NCPA Conference Hall on Tuesday, October 7th, at 3:00pm.

Sones de Mexico Ensemble, a Mexican independent folk group and arts organization from Chicago, whose 2007 album “Esta Tierra es Tuya (This Land Is Your Land)” garnered both GRAMMY and Latin GRAMMY nominations last year, received an unsolicited invitation from the Festival selection committee in late May.

Juan Dies, a co-founder of the group, said “I was just as surprised as anyone else that we would have been selected, especially when we discovered that we were the only group attending from the United States.”

Besides their “norteno” homage to Woody Guthrie’s “This Land Is Your Land”, the group is mainly known for preserving a tradition of folk songs collectively known as “son”, from Mexico’s diverse cultural regions, performing them with a preservationist’s care on a collection of over 70 acoustic instruments.

In an interview for China Radio International, Chen Ziming, an expert on folk music and also a professor in the Central Conservatory of Music, said that the festival is a good chance to broaden people’s understanding of world folk music and to change the long-time focus solely on European music.

When asked about his selection criteria, Ma Wenjie, the organizing committee’s liaison to the American continent, spoke of “Yuan Fen”, a “predestined affinity”. He explained, “We use this word to describe two people who never know each other, and once for a very coincident opportunity they meet each other, then they become very good friends and do great things together.” Mr. Ma Wenjie found Sones de Mexico Ensemble on the Internet, and he felt a connection.

In response, Juan Dies said “I think we may write a new song when we meet and call it ‘Yuan Fen’.”

ABOUT SONES DE MEXICO ENSEMBLE CHICAGO: Sones de Mexico Ensemble Chicago is a premier folk music ensemble specializing in Mexican “son”, including the regional styles of “huapango”, “gustos”, “chilenas”,”son jarocho”, and more. The group formed in 1994 to keep the tradition of Mexican “son” alive in its many regional forms. As a performer and recording artist, the ensemble has developed and popularized many original arrangements of Mexican traditional songs. Some of its original work has experimented cross-culturally with symphonic, Irish, folk, C&W, jazz, and rock music, though never abandoning its roots in Mexican “son”. The ensemble is also committed to teaching and has a 501(c)3 non-profit organization dedicated to music education. All band members reach out to young and old with award-winning educational programs nationwide.
http://www.sonesdemexico.com

Atomic Brother’s showcase is 10 PM Friday, September 19 at Bedrock, 401 W Baltimore St., Baltimore, MD.

The Baltimore Music Conference’s mission is to support and nurture the local scene, and showcase talent that needs exposure. “It’s easy to get lost among the 1000+ performers at other conferences,” says bassist S.A. Sebastian Gnolfo, “We’re excited to be playing a conference where the organizers are making an effort to give each performer maximum exposure.”

In addition to the band’s performance, Atomic Brother bass player, Sebastian, will be speaking on the conference’s Podcast/Webcasting Panel, earlier Friday afternoon, discussing “changes in how people are being exposed to music,” and the making of band’s video podcast, Wastin’ Time With Atomic Brother.

About Atomic Brother:

Atomic Brother was formed in 2003 by James Melillo on lead vocals and guitar and S.A. Sebastian Gnolfo on bass and vocals. Calling themselves, “Alternative Hard Rock,” many listeners compare Atomic Brother’s music to Disturbed, Megadeth, Alice In Chains, Henry Rollins, Ramones, Led Zeppelin and Jimi Hendrix.

Atomic Brother, spent the last year performing in support of their debut album, See Me Comin’, which has garnered the band international attention and support, especially in Switzerland, where the album was recorded. The song “Everything and Less” reached #7 on Zürich-based Redaktion Rockstation radio charts, and SwissRecords.com asserts that, “Atomic Brother can certainly write powerful songs.” The band’s podcast, now in its second year, often gives viewers a behind-the-scenes look at songwriting and recording, rehearsing and performing, the sometimes not-so-rock and roll side of being in a band in New York City, and sometimes just fooling around and having fun.

About the Baltimore Music Conference:
The Baltimore Music Conference is about supporting and nurturing the local scene, as well as bringing visiting talent into our city. Set up predominantly to showcase those who need exposure, but also those who have made a name for themselves in the music industry as we believe each benefits and can help one another.

The 2008 Baltimore Music Conference takes September 17-20, at 14 venues throughout Baltimore. For more information about the Baltimore Music Conference, please contact Lisa Chaplin Suit - Executive Director / Founder of the Baltimore Music Conference at LSuit @ bmcon.org.

Official Atomic Brother Website
Atomic Brother Video Podcast

New York’s Post-Pop duo KOKO DOZO’s members — Amy Douglas and Polarity/1 — remember 9/11 well. P/1 shares a neighborhood with the fallen towers. They remember; and they know that you remember. That day will live on in our nation’s DNA. Death, destruction and the trauma of invasion generate a force of memory that is trivialized by media rituals with solemn speech-making, dazzling graphic design, dramatic background music and the droning subtext of fear and vengeance.

KOKO DOZO also want to point out that national tributes to The Fallen — the rendering of tragedy as fetish — inevitably lead to more death, less freedom and the assurance that healing will never occur. For the past seven years America has celebrated the nightmare of 9/11 with a ceaseless Dance of Death.What has gone unnoticed and unheralded are all of us who have remained alive and who breathe life into the future with wisdom gained from that day. We are not “heroes” and we do not lobby for the construction of monuments to ourselves. We do not inspire insane acts of aggression and repression. We are not sexy ad copy for political campaigns. Living fearlessly is our act of defiance against brutality. That is what ultimately will make us safe and prosperous.

KOKO DOZO proclaims that the daily act of living through tragedy is more worthy of a holiday than death and destruction. We’re alive! And we want to celebrate being alive on September 11. And on every September 11 to follow. Life springs from the living. Creativity springs from the living. Hope and possibility are the natural expression of life in motion.

KOKO DOZO has chosen to perform on 9/11 and they will not request a moment of silence. They want their audience to dance. They want everybody to go out and dance; to remember the dead and celebrate the living. Be alive! It feels good. KOKO DOZO proclaims that it’s ok to feel good. Especially on September 11.

Koko Dozo play Club NME on Thursday, Sept 11th, 2008 with Boy Wonder www.myspace.com/boywonder and more. Go to www.myspace.com/clubnmenyc for more on lineup. This show should not be missed.

http://www.kokodozo.com

Contemporary Native American Flute Music Duo NightDancers Honored with an Indian Summer Music Awards (ISMA) Nomination and Invitation to Perform at Indian Summer Festival 2008

NEW YORK, NY - - Contemporary Native American Flute Music Duo NightDancers has been honored with an Indian Summer Music Awards (ISMA) nomination for their debut album entitled MONTANA CROSSINGS in the Native Heart category. Indian Summer Music Awards (ISMA) recognizes and promotes the very best in commercially released Native American music created by both established and emerging artists. The ISMA Awards are presented live during the Indian Summer Festival held September 5-7 in Milwaukee, Wisconsin, with the awards ceremony on Saturday, September 6, 2008. Entries are judged by a panel of respected professionals from across the music and entertainment industries. Winners are selected from 13 categories including Folk, Alternative Rock, Classic Rock, Hip Hop, Spiritual, Traditional Drum, Native Heart and more!

An invitation to perform live at Indian Summer Festival 2008 was extended to NightDancers for Sunday, September 7th, Harley Davidson Stage, at 5:30pm. NightDancers has accepted but prior commitments and scheduling/routing issues has Gera Clark remaining on tour in Ireland and France. John Sarantos will perform with very special guest artists Jan Seiden and Redbelly (David Martinka). Sarantos’ set will include songs from MONTANA CROSSINGS as interpreted by his musical guests.

MONTANA CROSSINGS - the debut studio recording from New York City based composer/flautists Gera Clark and John Sarantos is a well-crafted, melodic gem of an album featuring themes of exploration, transformation, interconnection and grace. Recorded at the world-famous AVATAR Studios in NYC by Jim Anderson, with mastering by Fred Kervorkian, CLARK and SARANTOS assembled a team which successfully captured the essence of NightDancers’ vision. MONTANA CROSSINGS contains 15 instrumental tracks featuring twenty-five flutes representing eleven flute makers from coast-to-coast. No overdubbing or sound samplers were used on the recording. Montana Crossings/GENRE: Native - New Age – World; FORMAT: Instrumental - Public Radio - Variety – World; MUSIC STYLE: Contemporary Native American Flute; STREET DATE: May 29, 2007.

ABOUT NIGHTDANCERS: New York City based composer/flautists Gera Clark and John Sarantos, known collectively as NightDancers, enjoy sharing instrumental flute music with a unique style that takes listeners on a musical journey . . . painting sound pictures with original contemporary Native American flute songs - successfully capturing the soothing, mystical and healing qualities which are the heart and soul of Native American flute music. Clark and Sarantos met while attending a Renaissance of the Native American Flute (RNAF) workshop in 2005, which eventually led to jamming together via speakerphones 1,000 miles apart. NightDancers was formed in 2006. Ms. Clark has been teaching flute in the tradition of her Native American flute mentors, Franc Menusan, John Rainer Jr. and R. Carlos Nakai. As one of the world’s premier Native flute teachers, Mr. Sarantos has facilitated contemporary Native American flute workshops from coast to coast for over 14 years. For 11 summers he has worked with Ken Light and R. Carlos Nakai at the Renaissance of the Native American Flute workshop in Montana and has written six songbooks for the native flute. He was also a contributor to Odell Borg’s recent book release, Native Spirit Song Book Volume Two. View the NightDancers Online Press Kit at: http://www.sonicbids.com/NightDancers

Visit the NightDancers Website at: http://www.nightdancersmusic.com

ABOUT INDIAN SUMMER FESTIVAL: Indian Summer Festival, North America’s largest American Indian cultural festival celebrating its 22nd anniversary, is dedicated to strengthening the American Indian community and educating the general public on the history and the unique and diverse cultures of the American Indian by providing a forum to celebrate and showcase American Indian traditions. For further information, visit http://www.indiansummer.org

ABOUT JAN SEIDEN: Jan Seiden’s moving and soulful eloquence speaks the language of the heart. Evocative music of flutes from the ancient Anasazi people and other more contemporary indigenous nations flow with themes of nature and global unity. First Place winner of the 2002 Musical Echoes Native American Cultural Gathering’s national flute players’ competition and 2006 recipient of an Individual Artist Award from the Maryland State Arts Council, Seiden has performed at the Smithsonian’s National Museum of the American Indian and many other concert stages across the U.S. both solo and sharing stages with Grammy award winners Joanne Shenandoah, Mary Youngblood, Tito LaRosa, and with Nammy-winners Arvel Bird and Jeff Ball. WOODLAND WINDS, Seiden’s solo CD, was a 2004 nominee for the Indian Summer Music Awards. MEMORY OF TIME, her newest CD, debuted on the charts at #19 (New Age Reporter, April 2008). For further information, visit http://www.janseiden.com

ABOUT REDBELLY (DAVID MARTINKA): As a self taught musician David Martinka draws on nature, life and his inner self to create his songs. With a long family history of music and love for the Native American Flute, David Martinka is the first bridge to the courting, healing, and peaceful side of both the Native American Style Courting Flutes and the Native Slovakian Courting Flutes. LEGENDS OF TIME, Martinka’s solo CD, was a 2006 nominee for the Indian Summer Music Awards. For further information, visit http://www.redbellymusic.com

“This is an entirely new channel for independent distribution” says CEO Michael Horne, “In addition to the great concert footage that has been submitted for inclusion in our “Virtual Concert Experience” environment, we’ve received great documentaries and indie projects that are perfectly suited to the college and nightclub audience.” The Indie Roadshow will feature pre-release exclusive screenings and stage DVD release events city to city, on tour, all year round.

VVN books high-definition music content onto nightclub stages, replicating the live concert and bringing national touring acts into smaller markets they would not reach on tour. VVN is currently outfitting nightclubs and college venues with projectors, their patented, ClubLyncTM digital players and installing life-size screens on-stage at each venue. They are currently coordinating a 60-city tour with “Hi-Def From Red Rocks featuring The String Cheese Incident.” While The String Cheese Incident is no longer touring live, the three hour, twenty minute Virtual Concert Experience is reuniting fans in hometown venues across the country.

Visit www.virtualvenuesnetwork.com for programming info and upcoming Virtual Concert and Indie Roadshow screenings or contact Virtual Venues Network at 831-421-9500.

Theatretrain are one of the UK’s leading youth performing arts companies with over 80 schools around the country offering high quality training and the unique opportunity to perform in local and national theatres. Backed by patrons including Catherine Tate and Derek Jacobi, they have been inspiring young people between the ages 6 and 18 to express their emotions, hopes and dreams through the art of performance for over 16 years.

Their latest production “I Don’t Feel Like Dancing” is one of the biggest and most ambitious performances the UK has seen, bringing together 24 different Theatretrain centres to create an exhilarating show with more than 1400 performers. Unlike any of the other performing arts schools providing this form of education, Theatretrain are unique in that they create large scale experiences for ALL of their pupils whatever their ability and give them the opportunity to perform at the best theatres in the country. When it comes to the sheer scale of performance and the quality of venue Theatretrain are steaming ahead.

The Royal Albert Hall production focuses on dance and movement skills from the work of Laban, the celebrated theatre choreographer, dance artist and theorist who devised the 8 efforts of human movement.

With over 30 fantastic music numbers ranging from Classical to Urban, the dazzling performance begins with the Scissor Sisters and Snow Patrol and works its way through a variety of dance styles and forms including Hip Hop, Irish, Greek and Salsa. There are four efforts in each act and each one is expressed with a shorter piece of classical music and another contemporary song. The visual aspect of the performance plays a crucial part and the audience will be treated to a stunning display of vibrant colour and movement across the stage.

This spectacular production will be the perfect opportunity to see Theatretrain’s teaching philosophies of energy, enthusiasm and commitment expressed through performance, as well as catching a glimpse of Britain’s future West End stars!

www.theatretrain.co.uk

For more details please contact: Tom Green @ Zest PR Tom@zestpr.com
020 7734 0206

Editors Notes:

Theatretrain was established in 1992 and has 85 schools across the UK and Ireland. The Artistic Director and founder of Theatretrain, Kevin Dowsett is also the UK Chair of the International Amateur Theatre Association, president of EDEREND and Artistic Director of the World Children’s Theatre Ensemble.

Theatretrains patrons are: Sir Derek Jacobi, Catherine Tate, Alfred Molina, Frances De La Tour and Kate Williams

Theatretrain are unique in that every year each child attending a Theatretrain school has the opportunity to perform in a production either locally or in the West End.

Theatretrain concentrate on two processes - learning skills in the performing arts and performing those skills to an audience.

Theatretrain have been actively building links with organisations and companies of young people in Europe and beyond. Incl Italy, Czech republic, France, Greece and Russia

Around 10:30, a group from Chicago called Liquor Boxx took to the stage, which I had been noticing before they’d even gone up because it looked, well…professional.. Though appearing to be effortlessly cool, someone in the band had obviously put a lot of thought into the look of it, with scarves on the mic stand, and a tiger-print looking drum kit and matching guitars, though it didn’t give the impression they were trying too hard.

They announced that they were on the East coast leg of their tour, dubbed “Inner Peace”, and started with a catchy up-tempo number. With the opening notes, their Hendrix and Zeppelin influences were plain to see, though they were coupled with the band’s own dramatic flair. It soon became clear that Kevin Mace the singer, is quite the frontman and before the night was over he literally had people moving on the dance floor and several women who actually invited themselves onstage. During their set, Patrick Creedon, the guitarist actually played guitar around a girl and then hoisted her on his shoulder-all the while doing a wicked guitar solo. The bassist, Marty Farrelly, was very solid and had a great quiet presence and Johnny Stoneking, their drummer, played a five minute solo that ended with him playing with glow-in-the-dark sticks and then just his hands!

Liquor Boxx offered a live show that had something that I haven’t seen in a long time-substance. Not only do they actually play their instruments, but they play them exceptionally well, not only are they charismatic but they make you feel personally involved in, and responsible for, their rising stature on the indie scene; you’re rooting for these guys to succeed because they work so hard, put on a great show, entertain the crowd and they have that intangible something special. Already signed to Refugee Entertainment, LLC, a smart move by the indie record label, Liquor Boxx’s live show offers guitar contortionism, musical virtuosity, charisma, and passionate, bluesy alternative rock at its best.

Liquor Boxx upcoming “Inner Peace” tour dates:

08.28.08 10:00 PM New York City NY Arelene’s Grocery

08.30.08 8:00 PM Southbridge MA The Pump House

09.05.08 8:00 PM Pawtucket RI KC’s Tap

09.07.08 8:00 PM Barrington NJ The Roadhouse

09.11.08 8:00 PM Philadelphia PA Sweeney’s

09.13.08 8:00 PM New York City NY The Knitting Factory

09.20.08 1:15 AM Marietta GA Atlantis Music Conference

10.17.08 8:00 PM Raleigh NC Dive Bar

10.18.08 8:00 PM Fayetteville NC The Rock Shop

10.24.08 8:00 PM Hilton Head Island SC Riders Lounge

10.25.08 8:00 PM Hilton Head Island SC Riders Lounge

10.26.08 8:00 PM Hilton Head Island SC Riders Lounge

Liquor Boxx sites: http://www.myspace.com/liquornbooze

http://www.refugeeentertainmentllc.com

Sunday 24th August, 2008 @ 229 www.229thevenue.co.uk

Some of the best new talent around is gathering together to celebrate the official launch of TunA the Day www.tunAtheday.com a site dedicated to promoting unsigned and small label artists.

‘It’s nice to see someone being creative with music news and info’- The Latin Jazz Corner

The evening includes sets by:

Official Secrets Act

Red Box Blue

Lizzy Spit

Murmur

Schwab

DJ set by Millimetre

The event is compared by stand up MacKenzie Taylor

All profits go to The Marine Conservation Society www.mcsuk.org to assist its campaign to save dwindling fish stocks.

For more information, interviews and press tickets contact Adrian Phillips on 07796 906725 or email info@tunatheday.com

TunA the Day Official Website