Lanar, Pamela Cornelius and Venus Adore were all performers in Barry White: Guided by Destiny a Musical stageplay about the life of Barry White. Emmitt Thrower, the Producer of that Off Broadway show is also producing this concert. In Barry White: Guided by Destiny, he portrayed the unforgettable “Ali”. The Concert will feature Instrumentals by the “Kingsters Unlimited Love Band’, Hit songs like “High Steppin” by the Love Unlimited Singers and of course Lanar singing some of your favorite Barry White tunes like “Practice What You Preach”, “The First My Last My Everything”, “Let the Music Play” as well as a surprise Duet originally performed by Barry White and Glodean White. A day of Love songs, Dance tunes and an incredible dancing exhibition that takes you back and brings you to the future.

Ticket Price Info:
$40.00 in advance
$47.50 at the door
$35.00 Student, Senior, Groups
Order Tickets By Phone:
212-352-3101
online www.theatermania.com
Groups 917 716-6635
The Times Square Arts Center
300 West 43rd Street
5th floor Off Bway Theater
New York, NY 10036

Los Angeles, CA — Gospel songwriter/producer Desmond Pringle is a passionate vocalist with a unique brand of balladry — and one of the most talented songwriter/producers in gospel music today. To celebrate the launch of the artist’s ReverbNation profile, Desmond is making his duet with Gospel Legend Shirley Casear available as free mp3 downloads exclusively through the site at http://www.reverbnation.com/desmondpringle

Just A Closer Walk With Thee Featuring Shirley Ceasar — musicdish

One of the highlights of Pringle’s career was recording the hymn “Just A Closer Walk With Thee” with Shirley Caesar. Pringle recalls, “One day, Pastor Caesar said, Dez, why don’t you sing with me?’ I was floored that she would offer me that opportunity alongside all of these legends she has on her project but that’s how it came about. She asked me and I wasn’t about to turn her down [laughs].”

“”Just a Closer Walk With Thee” by Desmond Pringle is a joyful hymn that features the Grammy-nominated artist singing back-and-forth with gospel legend Shirley Caesar. Both artists have powerful voices that beckon everyone to take heed to the song’s influential lyrics. The song has a warm feel to it and while the instrumentation is impressive, it is the dueling vocals that steals the show here. “Just a Closer Walk With Thee” is an incredible highlight from Desmond’s inspirational album, ‘Be Still’.” Eric Hartline, MusicDish

“Pringle also duets (in real time) with Pastor Shirley Caesar on Kenneth Morris’ prize find, “Just a Closer Walk with Thee,” making her the second former Caravan to be featured on this CD (yes, Cleveland sang with the Caravans - check your history!).” The Black Gospel Blog Reviews

Music:

Desmond Pringle on Reverbnation

Just a Closer Walk with Thee - Shirley Ceasar

Retail:

CD Baby

Websites:

Desmond Pringle Official Website

http://www.myspace.com/desmondpringle

Desmond Pringle is a passionate vocalist with a unique brand of balladry — and one of the most talented songwriter/producers in gospel music today. Whether delivering his signature-smooth ballads, thought provoking lyrics or energetic choir songs, Desmond has already taken his place among the ranks of great gospel artists of his generation. A down to earth, approachable artist, Desmond’s soulful gospel style has garnered him the title “Gospel Balladeer” from his ever-growing base of loyal supporters.

Desmond’s journey into professional music began in the lead role of the hit gospel musical “A Good Man Is Hard To Find”. His portrayal received an NAACP Image Award nomination. The native South Carolinian then relocated to Chicago in 1993 to further develop his musical prowess. His work as a singer/songwriter gained him contributions to award-winning artists including Yolanda Adams, Bishop T. D. Jakes, R. Kelly and The Thompson Community Singers. Add to that– stellar performances at the Stockholm Gospel Festival and the award as the Best Male Vocalist by the African American Religious Connection. In 1998 his independent release “Psalms, Hymns and Spiritual Songs” grabbed the attention of Chicago radio and led to a deal with Tommy Boy Gospel. “Loyalty” attracted a broad-base, diverse, multicultural audience, and Desmond’s first class musical performances won the enthusiastic respect of music lovers and accolades of industry professionals alike.

As a vocalist Desmond’s rich, jaw-dropping vocal range and hallmark style is reflective of his varied musical influences. From contemporary gospel - to the soul - to pop and big band —but a Desmond Pringle presentation always has a serious, unapologetic traditional gospel “core”. “I grew up in church, so traditional gospel is definitely a center-piece for me”. As a child I listened to the wonderful richness of artists like James Cleveland, The Hawkins Family, Andre Crouch and Vanessa Bell Armstrong. Even today, I love that sound. Hearing that music still stops me in my tracks. Maybe by today’s standards it would be considered technologically “imperfect” by some, but for me–the heart and soul of that music stills comes through loud and clear. Even 20-30-40 years later, that is the music that has had - and continues to have– a profound influence on my life and music.”

After serving as VP of Urban / Gospel for Warner Bros. Records the ordained minister and psalmist was able to spend quality time working on songs without any distractions or pressures. “God blessed and allowed me to slow my pace,” says Desmond. “It was really a good place in my life spiritually and creatively. I spent time getting in touch with my own heart and focusing on what I believe God wanted to say next through my music. ” It was out of that quiet time that his latest musical offering “Be Still…” was born.

“Life today moves at an incredible pace. Everything is quick, fast, hurry up, and microwave, right away, right now. Time with God often gets squeezed out of the equation. As a result, people are stressed, depressed, worried and fearful. The Word of the Lord for all of us is to “Be Still”. Stop, take some time and get in the presence of God. God is concerned about everything that concerns us. Know that He has everything under control. Once we do that we can see His salvation - and His hand at work in our lives.”

“Be Still…” contains new material - plus tracks from Desmond’s participation as singer/songwriter on award winning, radio chart toppers including CeCe Winans and The Born Again Choir and Bishop Paul Morton and the Full Gospel Baptist Mass Choir. “Creating music that is biblically sound, message-driven and church friendly is important to me, says Desmond. “I was honored to be able to work with some of gospel music’s most gifted artists.

It’s a funny funky little tune wishing “you-know-who” a final farewell.

Stop by www.memshannon.com and listen to a clip.

His is a unique vocal style, a one-off musical vision and an out of the ordinary personal story. Unlike many of his musical peers, Osaru has spent years honing his talents before cutting a record, and the maturity shows.

Having learnt African percussion at the age of 8, church organ at 9 and subsequently discovering the joys of the keyboard and bass guitar, Osaru went on to play music in three separate continents. His inspirations coming from the worlds of soul, jazz, R&B, hip hop, reggae and even traditional African music. Only after such an extensive musical education, and while simultaneously working as a physician in North Carolina, has Osaru decided to share his gifts with the world.

Listening to the quality and diversity of Home, you will agree that it was certainly worth the wait. The album combines hip hop and R&B beats with jazzy instrumentation and even elements of classical music. This all comes together to form a whole that is satisfyingly head-nodding at first, but deeper and more interesting the more you listen.

There is something here for everyone, without the quality ever being compromised. From the dance floor inspired Start the Dancing to the slow, contemplative soul of the title track Home, Osaru is adept at supplying every musical need.

There is music for getting into the groove at the club, in the shape of I Know and Made Up My Mind, and there is also music for those quieter moments – The ‘Piano version’ of Pretty Lady and ‘24′ spring to mind here. However, most of all, this is music for lovers of great music who do not want to be constrained by the narrow boundaries of genre.

The best news is that this is only the beginning. Although Home has only just hit the shops, Osaru is already working on his next album, which he promises to deliver in the next Year. If it’s anything like this one, it can’t come soon enough.

Home is available now on CD Baby.

http://www.osarumusic.com
http://www.osarumusic.com/audio/OSARU-Home-2.m3u

Recently featured on the iTunes music store, BFM Digital and SRI Records announces Ray Brown Jr’s new album, “Friends And Family”. The new CD is an all-star duets album with Ray joined by Dionne Warwick, Jane Monheit, James Moody, Dr. John, Freda Payne, Melba Moore, David “Fathead” Newman, Sophie B. Hawkins, Paul Williams, Maria Muldaur, Dr. Lonnie Smith, Terry Gibbs, Sally Kellerman, Dave Somerville, Haylee and Kim Hoyer. “Friends And Family” was produced by Shelly Liebowitz.

Born in New York City, Ray Brown Jr. was raised in a family of musical royalty (the son of singer Ella Fitzgerald and legendary jazz bass player Ray Brown). “Friends and Family” reflects the amazingly diverse musical pedigree that Ray possesses.

Original and unconventional arrangements and song choices set the tone and unique style of this release. Friends And Family shows a completely different dimension of Ray Brown, Jr. with these artists who have come together to create this historic album.”

It also includes two very special tracks:

* Haylee (Ray’s daughter) doing a duet with her Dad on Grandma’s first hit “A Tisket A Tasket”

* A live version of “How High The Moon” with Ray joining his mother (Ella Fitzgerald) and father (Ray Brown).

“What pleased me the most was seeing the talent of Ray Brown Jr. hold up so well with all these brilliant and different sounding artists. As a result of his versatility and the unique arrangements of the songs, we were able to capture a wide variety of flavors, which I think offers something for everyone on this album,” says producer Shelly Liebowitz.

To honor our veterans, a portion of the proceeds from the download sales of the duet by Ray Brown Jr. and Dr. Lonnie Smith on “Everybody’s Cryin’ Mercy” will be donated to the National Veterans Foundation.

The album will be available at all digital outlets via SRI’s digital distributor, BFM Digital.

About SRI Records
SRI Records and SRI Jazz (www.srirecords.com) are divisions of the SRI Entertainment Group. It is our mission to bring great music to the public at reasonable prices. The core audience for our music is the baby boomer generation, but by no means is it limited that group alone. Our record companies market recordings by major artists, many of which have never before been available. We offer the opportunity for established artists with completed albums to be distributed and retain ownership of their masters. We also produce and distribute recordings by talented new artists. The management of SRI Records is made up of experienced music industry professionals. SRI can provide private label CDs for companies that require them for premiums and give-a-ways.

In addition to being an active record company, through SRI Entertainment we produce concerts, tours, television specials and other events. Plus we have a video division (SRI Video) for VHS and DVD releases and a music publishing division, Golden Shellsongs Music.

About BFM Digital, LLC
Connecting music to the world since 2004, BFM Digital (www.bfmdigital.com) is an innovative digital distribution company committed to serving the independent music community by helping them maximize their catalog’s potential through global digital distribution. BFM Digital offers labels, artists and content providers access to all major online and mobile store fronts. BFM represents hundreds of catalogs in every genre and works closely with labels to ensure top placements through ongoing promotions with retailers and target campaigns for key releases. BFM is also affiliated with leading global publishing companies such as The Royalty Network, Inc.

A Review by Mark Kirby

Over a decade ago, rappers Chuck D and Public Enemy asked, “Who Stole the Soul?” Today, after Christina Aguilera’s R&B-infused Back To Basics double CD and the Amy Winehouse soul explosion, the real question is, “Who stole it back?” Part of the answer can be found in Lorraine Reid’s single “How Can I Keep Him Lovin’ Me?“

It always comes as a surprise when I hear a modern R&B singer who has both the pipes to belt out with intensity and the good taste to let the song tell the story, choosing to not over-saturate a classic melody with vocal gymnastics. Reid dazzles her listeners with the perfect balance of vocals, just like the classic soul, rock and pop singers did back in the day. This timeless track by the Canadian, 7-time Juno nominee would fit right in with the best of soul and funk in any age.

“How Can I Keep Him Lovin’ Me?” begins to amaze listeners with its instrumentals — the keyboard starts with mellow soul chords and is followed by gently plucked guitar and sparse bass that flows with restrained energy even while in ballad mode. The drums play a beat that has previously anchored old pop and soul songs as well as bawdy stripper show tunes; it’s a beat that is part-waltz, part-easy-going phat back groove. While this stew is bubbling, Ms. Reid tells the story: “No more than 15 but grown before her time / This young girl was seekin’ love from men who would dim the lights / How can I keep him lovin’ me? / Here she was still seeking love / it was no where to be found.” Aside from the modern beat of the drums and the contemporary soul sound, the track is undeniably old school because it deals with real people and real-life issues, concepts that are often lost in mainstream music today.

The sales of R&B records — as with those of hip-hop and most other genres — continue to slump. Illegal downloads aside, the vast majority of these records deal with unattainable fantasies of sex, glamour, white linen suits and matching Bentleys. People who have just been laid off, had their benefits run out, or their home foreclosed don’t want to hear about such lavish topics. And they can’t even afford to buy overpriced CDs, anyway. That’s why real people, especially women, like Mary J. Blige’s tales of being a survivor. Like Blige, Reid tells a tale of survival and, like the best soul and gospel singers, past and present, she goes beyond this simple tale: “At 22, a mom of two, but she was still a child / Her mama’s advice to her was a message meek and mild / what this baby boy sees in you I tried my whole life to find / so dry your tears, my baby girl, you’re lookin’ at piece of mind.” Throughout the song, Reid’s vocals follow the lyrics and melody on a rollercoaster of emotion, saving the soaring peaks of her sweet yet powerful voice for the pinnacles of the song, especially the last lines. By the end of “How Can I Keep Him Lovin’ Me?”, the sadness becomes both redemption and a spiritual epiphany — all because of the power of love. Now ain’t that what soul music is all about?

www.myspace.com/lorrainereid

Talented songstress Lorraine Reid is not just reveling in her previous success as lead singer for dance group Temperance; she’s making a major shift in her career with the release of a hot solo R&B album “Lessons Learned.” Hailing from Toronto, Reid has opened for Lou Bega, Monica, Coolio and Destiny’s Child, and “is vocally ready to take her place beside other international R&B songbirds. Some would even go as far as to grade her deep, rich voice against the bluesy sounds of Billy Holiday or Sarah Vaughan” (Georgette Charlicombe, Mic Check).

It’s no surprise that Reid lists Whitney Houston as one of her influences, since her new album contains vocals comparable to those of Alicia Keys, Mary J. Blige and India.Arie. Says Charles Bouley II from Billboard, “Reid delivers inspired vocal[s] that prove she’s a seasoned performer; it could easily elevate her to diva status. Her delivery is reminiscent of classic Donna Summer.”

Reid’s musical style can be described as a combination of R&B and soul with an edge. Having recorded two previous albums with Temperance, Virtues of Life and If You Don’t Know, she has the experience and the skills to infiltrate the music industry by simply sharing her powerful voice– with her help, Temperance was able to secure more Juno nominations than any other dance group to date.

Soon after Reid’s 7th Juno nomination in 2000, she began to feel as though her life needed a new direction. She decided to pursue a teaching career while continuing to record commercial jingles for radio and television, as well as perform backup vocals for countless other artists.

In the fall of 2005, the combination of full-time teaching and evening-gigging eventually took a toll on Reid’s health. She suffered a lengthy and extensive bout with laryngitis and was diagnosed with vocal nodules. Reid went through with an operation to have her nodules removed, which caused some loss in range and forced her to use an amplification system when speaking publicly.

Lessons Learned couldn’t be released at a better time in Reid’s life; the album’s title emulates the various challenges she has faced to make this record a reality. You are sure to hear a more soulful and established artist, as Reid provides a window into her heart by sharing the experiences that have made her the talented vocalist she is today.

You can expect to see the highly anticipated album out soon this summer, and while you’re anxiously awaiting the album’s release, go see Reid live July 12th, 2008 at the Montreal Reggae Festival (www.montrealreggaefest.com). Reid is also scheduled to play the Michigan Reggae Festival this coming August.

www.myspace.com/lorrainereid
www.musicdish.net/lorrainereid/

7-Time JUNO Nominated R&B/Neo-Soul singer Lorraine Reid has been invited to perform at the Montreal Reggae Festival on July 12, 2008. Known to many for her work with the dance group Temperance, Lorraine will be performing songs from her debut solo album “Lessons Learned,” to be released this summer. Lorraine is also scheduled to play the Michigan Reggae Festival this coming August.

Montreal Reggae Festival
July 12, 2008 12pm - 8pm
“Loto-Quebec” Stage
Old Port of Montreal
http://www.montrealreggaefest.com

The Montreal Reggae Fest’ has ranked among the top annual festivals held in Montreal each year. The 3-day weekend-long event is by far the largest of its kind in Canada, currently attracts over 30,000 people with fans traveling from across the globe to attend.

Lorraine Reid pours her soul into the mic every time she steps on stage to sing. While recording dance music for Temperance, Lorraine’s heart as always been with soul and rhythm and blues. Lorraine attributes her unique vocal style to the influences of Billie Holiday, Sade, Sarah Vaughan and Whitney Houston and primarily enjoys listening to vocal jazz, rhythm and blues, and reggae. While with Temperance, Lorraine achieved many successes on top of her Juno Nominations, including six top ten singles on the Canadian National Dance Chart and a Much Music Video Award for Best Dance Video. She also toured extensively throughout North America, the U.K. and Europe.

http://www.musicdish.net/lorrainereid/
http://www.myspace.com/lorrainereid

The album features production from Apex, Amdex, S1, Everett James, Slugabed, and others, along with guest-artist features such as Muhsinah, Finale, and Bilal Salaam. “Floatin’” is the first single, which demonstrates Stacy’s archetypical blend of soft, heartfelt vocals and strong yet sensual lyrics.

The single has already garnered praise from influential DJs such as Gilles Peterson (Radio 1, BBC), who’s featuring the song on his Brownswood Bubblers Volume 3 release. Numerous bloggers have taken notice, including an Artist Spotlight on the mammoth ConcreteLoop.com and feature on the main page of Mp3.com.
thehypereport.blogspot.com

Style: Soul / Funk Jazz

Review by Ronald Jackson-Jazzreview.com
www.myspace.com/tonyrocadamo
Jazz vocalist Tony Adamo struts back with his silky, charismatic, and, as I’m sure many ladies will confirm, seductive vocals on this clever new release Straight Up Deal. While I’ve classified this recording as smooth jazz, it really serves up equal doses of funk, smooth jazz, and R&B. There are also elements of island rhythms and cool, piano-bar jazz. A true cornucopia of coolness in each genre.

I first became quite interested in Adamo’s talents after hearing his croonings with funkster/former Herbie Hancock Head Hunter bassist Paul Jackson. Impressive is an understatement. His stylish and signature vibrato-tinged voice adds a truly bright dimension to all he endeavors to set to song.

On this album, Adamo calls in the Tower of Power horns, Paul Jackson, Ernie Watts, Eddie Henderson, and Freddie Washington, just to name a very few. The additions toss more color on this vibrant canvas. This project includes a cool rendition of the classic “Mercy, Mercy, Mercy,” “In the Winelight,” which calls to mind the omnipresent spirit of the great Grover Washington Jr., and “Hey Lou,” a tune on which he and Paul Jackson also groove on Jackson’s Funky Fingers album. There’s also new vibrant funk like “No Strings.” Adamo consistently lights it up, showing his grasp of the various genres and his ability to manipulate, caress, and mold them into what fits for him…and us. I’ve seen that other reviewers of this album are a bit partial to the rhythmic, island-flavored “Lolita.” I must join the chorus of favorable reviews of this cut, as well as many of the other selections. It’s a contagious little number. In fact, the entire diverse project has a considerable amount of magnetism to it. Well done, indeed.Tony Adamo is on CDBABY.com