Seattle, Washington — WildLife, Gary Paul Bryant’s 10th CD, is quickly climbing jazz and world music charts, airing on more than 100 radio stations from Australia to Europe to the U.S. and topping 120,000 streams and downloads in recent weeks on Soundclick.com alone. Yet, you’ve probably never heard of him.

Gary Paul Bryant’s WildLife – musicdish

Recording from his home studio north of Seattle, Washington, Bryant reflects an evolving reality of today’s music industry, where artists who take advantage of new technology can build dynamic careers outside the mainstream.

“People are surprised to find that you can have a strong international fan base and a satisfying career operating in your own niche, a bit below the pop culture radar,” said Bryant.

After an early experience with the traditional corporate recording industry, Bryant began marketing and publishing his own material in the 1980s, a time when producing an album on your own could cost as much as buying a house and marketing meant hauling hundreds of vinyl albums to radio stations and retail outlets.

Then came the 1990s with new recording technology and, of course, the Internet. Music web sites like iTunes, Rhapsody and Napster gave musicians access to worldwide audiences and gave fans an unprecedented selection of genres and styles. Tech-savvy songwriters willing to adapt to the new medium found that making a living through music was no longer an unlikely dream. Bryant’s affinity for technology soon moved him from acoustic pianos and guitars to music workstations, sampling software and digital distribution.

“What really made it interesting for artists is that, in addition to all of the recording and performance gear going digital, support services like CD production, digital distribution and promotion were adapting to the technology in a big way,” said Bryant. One such company, CDBaby.com, founded in 1997 by musician Derek Sivers, has paid more than $80 million directly to artists.

Bryant’s first album, Just a Word, was digitally remastered and released as an anniversary edition in 2004. Seattle Times music critic Patrick MacDonald summed it up: “Exceptional piano work!”

In May 2005 came Imaginary Piano, a high-energy collection of jazz motifs, followed by a collection of original and classic Christmas piano solos, Midnight Clear.

Melding power rock with jazz and classical music, his 2007 project, Big World, reached the No. 1 Jazz spot at SoundClick.com, was featured Jazz selection at Garageband.com and made the Top 10 Jazz playlist at Broadjam.com.

Wildlife, released in August 2008, includes 13 upbeat instrumentals that combine classical, rock and jazz elements. It’s available from iTunes.com, CDBaby and other digital outlets. For information, visit http://www.GaryPaulBryant.com

Long-running syndicated program of exotic electronica on radio, satellite and the internet, Musical Starstreams, commences nightly run in Chicago on WNUA. Proven, unique mix of mid- to down-tempo “exotic electronica” has been perfected by its producer and host, Forest, over show’s 21-year history

Musical Starstreams, the internationally-syndicated radio program and full-time format of ethereal, spacey, futuristic, progressive, ambient, worldly, dubby, trip hop, acid jazz, downtempo, chill music (simply called “exotic electronica”) begins a seven day per week, nightly schedule tonight on WNUA, Chicago, the USA’s third largest national media market and streaming on WNUA.com.

Longtime WNUA MD and programmer, Rick O’Dell, said, “Starstreams has been ‘can’t miss listening’ for its legions of Chicagoland fans for 21 years on WNUA. And, for every listener who’s asked us over the years to ‘give us more,’ we finally have some good news with the new nightly broadcast of the show.”

Musical Starstreams originated and first aired in San Francisco on December 20th of 1981. Ronald Reagan had been our president for just eleven months, interest rates were in the double digits and recordings were sourced from vinyl and cassettes – there were no compact discs or digital music files.

After a brief stint in the Chicago market on WCKG, Starstreams first aired on a weekly basis on WNUA in November of 1987. In 1991, the program was nominated for a prestigious Billboard magazine award for Network/Syndicator Adult Program of the Year. Over the years Starstreams has aired on over 200 radio stations – including WNUA, KKSF San Francisco, KNTU Dallas, XM CHILL Channel 84, DirecTV and numerous satellite channels and the Internet at Starstreams.com, Live365.com and the top rated, full-time AMBIENT channel at radioIO.com.

Thousands of programs later, producer and host Forest has perfected and evolved a proven, unique mix of mid- to down-tempo “exotic electronica” — neither head banging techno, nor syrupy new age — and in the process Starstreams has consistently garnered top ratings and loyal listeners worldwide.

Musical Starstreams, the exotic side of radio, is offered without charge weekly, nightly or full time, on a barter basis, to radio stations worldwide.

http://www.starstreams.com
http://www.myspace.com/starstreams